"The Italians Are Coming" by Antony Genn, Martin Slattery had its release date on June 12, 2020. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 55 in the song's album "Peaky Blinders Series 4 Original Score". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. The Italians Are Coming is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Italians Are Coming by Antony Genn, Martin Slattery having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Politics & The Life | Daniel Pemberton, Gareth Williams | A♭ Major | 1 | 4B | 120 BPM | ||
| The Past Can Haunt a Man | Ramin Djawadi | C Major | 3 | 8B | 148 BPM | ||
| Families Are Forever | Ament, Pluralone, Wicks | A♭ Major | 3 | 4B | 132 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2, "Moonlight": I. Adagio sostenuto - S A Y C E T Rework | Saycet | D♭ Major | 2 | 3B | 144 BPM | ||
| The Black Hand | Antony Genn, Martin Slattery | A Minor | 0 | 8A | 81 BPM | ||
| Secrets and Lies | Atli Örvarsson | A Minor | 2 | 8A | 75 BPM | ||
| Blow Poke | Danny Bensi and Saunder Jurriaans | A Minor | 1 | 8A | 66 BPM | ||
| Tennis Ball | Andrew Lockington | G Minor | 1 | 6A | 71 BPM | ||
| Alas Salvation | Yak | A♭ Major | 6 | 4B | 105 BPM | ||
| Baby | Dickon Hinchliffe | C Major | 3 | 8B | 126 BPM | ||
| Tommy Kills Antonio | Antony Genn, Martin Slattery | A Minor | 0 | 8A | 81 BPM | ||
| Love Bomb | Grinderman | G Major | 8 | 9B | 90 BPM | ||
| Monkey 23 | The Kills | B Major | 4 | 1B | 132 BPM | ||
| What Happens in Helmand | Ian Arber, Dave Rowntree | D♭ Major | 1 | 3B | 115 BPM | ||
| Shiny Things | Tom Waits | A♭ Major | 2 | 4B | 97 BPM | ||
| Last Seen Alive | Sam Ewing | A Minor | 2 | 8A | 79 BPM | ||
| The Ballad of John Cook | Carlos Rafael Rivera | C Minor | 0 | 5A | 108 BPM | ||
| Glass of Water | Dickon Hinchliffe | E♭ Major | 2 | 5B | 138 BPM | ||
| Stone Towers | Dol Ikara | B Minor | 6 | 10A | 142 BPM | ||
| Jesus For The Jugular | The Veils | B Minor | 7 | 10A | 141 BPM | ||
| Young and Foolish Dragon | Chris Benstead | A Major | 0 | 11B | 90 BPM | ||
| Me and the Devil - NYC Orchestral Version | Gil Scott-Heron | B♭ Minor | 3 | 3A | 83 BPM | ||
| Trophies | Jason Hill | G Minor | 0 | 6A | 131 BPM | ||
| S'alright | Extreme Music | G Minor | 7 | 6A | 124 BPM | ||
| Main Titles - The Crowded Room | Trevor Gureckis | F Minor | 4 | 4A | 133 BPM |