"12 Preludes: IV. Preludio IV" by Raffaele Bellafronte, Alessandro Deljavan had its release date on September 28, 2022. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. 12 Preludes: IV. Preludio IV's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 20 in Bellafronte: Piano Sonatas, 12 Preludes by Raffaele Bellafronte, Alessandro Deljavan. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of 12 Preludes: IV. Preludio IV is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 12 Preludes: IV. Preludio IV by Raffaele Bellafronte, Alessandro Deljavan is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite en La Menor: I. Preludio | Manuel Ponce, Raúl Zambrano | F Major | 1 | 7B | 92 BPM | ||
| Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: II. Andante | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | D Major | 1 | 10B | 98 BPM | ||
| The Troubadours Three: Melancholy | Stjepan Šulek, Ana Vidović | C Major | 1 | 8B | 109 BPM | ||
| Sonata in G Major, Kk. 91: III. Grave | Domenico Scarlatti, Pizzicar Galante, Anna Schivazappa | D♭ Minor | 2 | 12A | 97 BPM | ||
| Valse Sentimentale Op. 51: No. 6 | Duo Arnicans | G Major | 1 | 9B | 86 BPM | ||
| Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | ||
| Pacific Sunrise | James Lentini | A Major | 0 | 11B | 158 BPM | ||
| Double Bass Sonata: III. Adagio | Henry Eccles, Ferenc Csontos, Balazs Szokolay | D Major | 1 | 10B | 106 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| Concertino Tropical: II. Los caobos (the Mahogany Trees): Adagio malinconico | Ernesto Cordero, Guillermo Figueroa, I Solisti di Zagreb | A Minor | 1 | 8A | 109 BPM | ||
| Suite for Cello Solo: Prelude - Fantasia | Gaspar Cassadó, Bernd Glemser, Maria Kliegel | G Major | 0 | 9B | 113 BPM | ||
| Flavors of Love | Estoria | G Minor | 0 | 6A | 83 BPM | ||
| Trio Sonata in E Minor: III. Adagio | Johann Rosenmüller, Anna Holbling, Quido Holbling, Jozef Zsapka | G Major | 0 | 9B | 83 BPM | ||
| Brandenburg Concerto No.4b in G - Remastered | Johann Sebastian Bach, Producer 9-0 | D♭ Minor | 4 | 12A | 117 BPM | ||
| Lumière Étoilée | Etoilee | E Major | 3 | 12B | 77 BPM | ||
| Sonatina for Flute & Guitar, Op. 205: III. Scherzo - Rondo. Allegretto conspirito | Mario Castelnuovo-Tedesco, Irene Kalisvaart, Britta Jacobs | A Minor | 1 | 8A | 107 BPM | ||
| Phalanx Suite: Prolog | R.Kuhn, Rüdiger Edgar Kuhn | F Major | 2 | 7B | 96 BPM | ||
| Lute Suite No. 3 in A Minor, BWV 995: II. Allemande (Arr. for Guitar) | Robert Secrist | D Major | 1 | 10B | 117 BPM | ||
| Tombeau sur la Mort de Mr Comte de Logy (1721) - Arranged by Göran Söllscher | Silvius Leopold Weiss, Göran Söllscher | C Minor | 0 | 5A | 83 BPM | ||
| Lieder ohne Worte VI, Op. 67: V. Moderato, MWV U184 "The Shepherd's Complaint" (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | B Minor | 1 | 10A | 128 BPM | ||
| Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | G Minor | 0 | 6A | 83 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | G Minor | 0 | 6A | 83 BPM | ||
| Toccata Arpeggiata | Giovanni Girolamo Kapsberger, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Guitar Suite No. 1: III. Into a Clearing | Peter Scott Lewis | G Minor | 0 | 6A | 94 BPM | ||
| Toward the Sea: No. 2, Moby Dick | Toru Takemitsu, Irene Kalisvaart, Britta Jacobs | D♭ Major | 0 | 3B | 73 BPM |