- BPM
- 157
- Key
- E♭ Major
- Camelot
- 5B
Overture To Candide by Leonard Bernstein, The Ohio State University Marching Band, Dr. Jon R. Woods Song Details
Leonard Bernstein, The Ohio State University Marching Band, Dr. Jon R. Woods's ' "Overture To Candide" was released on its scheduled release date, January 1, 2012. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Overture To Candide's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Ohio State University Marching Band's "I Wanna Go Back" album is number 22 out of 30. Based on our statistics, Overture To Candide's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
We consider the tempo marking of Overture To Candide by Leonard Bernstein, The Ohio State University Marching Band, Dr. Jon R. Woods to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -13.236 dB
- Acousticness
- 93%
- Danceability
- 37%
- Energy
- 52%
- Instrumentalness
- 64%
- Liveness
- 32%
- Loudness
- 78%
- Speechiness
- 13%
- Valence
- 54%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | |
 | String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | |
 | Requiem, K. 626 (Ed. Beyer/Levin): IIIc. Rex tremendae - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 3 | 6A | 108 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | Capriccio espagnol, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | |
 | Mass: No. 24, Trope. I Believe in God | Leonard Bernstein, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | C Minor | 3 | 5A | 86 BPM | |
 | Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | |
 | Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | |
 | Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | |
 | Serenade for Strings in C Major, Op. 48: III. Elegie | Pyotr Ilyich Tchaikovsky, Wiener KammerOrchester, Philippe Entremont | D Major | 1 | 10B | 96 BPM | |
 | Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | |
 | Conga del Fuego - Live | Arturo Márquez, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel | A Minor | 3 | 8A | 128 BPM | |
 | Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | G Minor | 1 | 6A | 123 BPM | |
 | Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | |
 | Rodeo: No. 5, Hoe-Down | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 2 | 10B | 127 BPM | |
 | Piano Trio: II. Tempo di marcia | Leonard Bernstein, Charles Bernard, Opus Two | C Major | 1 | 8B | 78 BPM | |
 | The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | |
| Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | |
 | Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | |
 | Symphony No.25 In G Minor, K. 173dB (K.183) USE KV183/y25: Allegro con brio | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | G Minor | 1 | 6A | 151 BPM | |
 | The Sorcerer's Apprentice | Paul Dukas, Leonard Bernstein, New York Philharmonic | D♭ Major | 5 | 3B | 129 BPM | |
 | William Tell: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 88 BPM | |
 | Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records