Rajendra Vaishampayan & Natasha Dias's ' "Raam Raksha" was released on its scheduled release date, April 1, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 12 in Baal Sanskar English by Rajendra Vaishampayan & Natasha Dias. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Raam Raksha is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Raam Raksha by Rajendra Vaishampayan & Natasha Dias is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sri Lakshmi Nrisimha Prapattihi | T. S. Ranganathan | C Major | 4 | 8B | 91 BPM | ||
| Anjaneyam Ati: Meditate On Beautiful Hanuman for Stress | Prana Kishore, S T Arasu | D Major | 5 | 10B | 101 BPM | ||
| Mantrapushpam | Hari Achuta Rama Sastry | C Major | 3 | 8B | 166 BPM | ||
| Devi Kshamapana Stotra | Abhilasha Chellam | G Major | 1 | 9B | 87 BPM | ||
| Ganesh Atharvashirsh | Devi Divya Shakti | D♭ Major | 5 | 3B | 104 BPM | ||
| Stothra Kadambam | T. S. Aswini Sastry, T. S. Rohini Sastry | D Major | 9 | 10B | 160 BPM | ||
| Vishwamitra Nadi Samvad - a Poetic Conversation between the Sage Vishwamitra & Two Rivers | Ved Vrind | C Major | 4 | 8B | 175 BPM | ||
| Kannika Parameshwari Gayatri Mantra | Jeet Ojha | D Major | 2 | 10B | 151 BPM | ||
| Sri Venkatesh Stotra Sanskrit | DEEPA RANE | F♯ Major | 2 | 2B | 174 BPM | ||
| Purusha Sooktam | Puttur Narasimha Nayak, Kalyana Raman, Chandan Nallal | A♭ Major | 7 | 4B | 74 BPM | ||
| Deen Bandu Kripa Sindhu | Bhagwat Acharya Shri Venu Gopal Swamiji | D♭ Major | 1 | 3B | 135 BPM | ||
| Trigunatmak Trimurti Datta Ha Jana - (Aarti) | Vivek Naik, Sachita Morajkar, Pratap Kalke, Pramila Sawant, Sarita Pathare, Mohan Morajkar | E♭ Major | 6 | 5B | 200 BPM | ||
| Saptashati Nyaasaha | S.Prakash Kaushik | C Major | 3 | 8B | 112 BPM | ||
| Lakshmi Suktam | Deepa Jamkar | F♯ Minor | 2 | 11A | 74 BPM | ||
| Om Namo Venkateshaya | Prasath Sai, Vijaya Lakshmi | G Major | 2 | 9B | 134 BPM | ||
| Hanuman Ashtottara Shatnamavali | Sriparna Chatterjee | G Major | 3 | 9B | 111 BPM | ||
| Isavasya Upanishad | Sri Sathya Sai Official | E Major | 4 | 12B | 150 BPM | ||
| Sri Devi Khadgamala | Shastry Brothers | B♭ Major | 3 | 6B | 74 BPM | ||
| Poorva Nayasam | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 127 BPM | ||
| Siddha Kunjika Stotra Mantra | Shrikrishna Sawant | F Major | 2 | 7B | 143 BPM | ||
| Navratnam | Hiren Khakhi | A♭ Minor | 5 | 1A | 116 BPM | ||
| Dasarathkrutha Shani Stotram | Navagrahas | E Major | 2 | 12B | 81 BPM | ||
| Hari Stotram | Mangesh Borgaonkar | E♭ Major | 4 | 5B | 114 BPM | ||
| Rudri Path- Adhyay 9 | Divya Jyoti Jagrati Sansthan | A♭ Major | 5 | 4B | 141 BPM | ||
| Ganpati Atharvashirsha | Ketan Patwardhan | G Major | 3 | 9B | 116 BPM |