"Woke Up This Morning" by Barbara Hendricks, Mathias Algotsson, Ulf Englund, Max Schultz had its release date on October 1, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Road to Freedom". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Belgium. In terms of popularity, Woke Up This Morning is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Woke Up This Morning by Barbara Hendricks, Mathias Algotsson, Ulf Englund, Max Schultz having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il Sedecia, Rè di Gerusalemme: "Caldo Sangue" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B♭ Minor | 0 | 3A | 82 BPM | ||
| Stabat Mater, P. 77: IX. Sancta Mater | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | B♭ Major | 1 | 6B | 115 BPM | ||
| L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
| Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 2: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Sir Colin Davis, Olga Borodina, José Cura, London Symphony Orchestra | D♭ Major | 1 | 3B | 129 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 3: Lament. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Les Arts Florissants, Véronique Gens | F♯ Minor | 0 | 11A | 80 BPM | ||
| Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Nicklausse, Giulietta, Chœur) | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Chœurs de la Monnaie, Jessye Norman, Orchestre Symphonique De La Monnaie | D Major | 1 | 10B | 81 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM | ||
| Carmen / Act 1: Et la garde descendante | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben, Walter Hagen-Groll | D Minor | 1 | 7A | 121 BPM | ||
| Messager: Madame Chrysanthème, Act 3: "Le jour sous le soleil béni" (Madame Chrysanthème) | André Messager, Barbara Hendricks, Lawrence Foster, Philharmonia Orchestra | D♭ Major | 1 | 3B | 131 BPM | ||
| Offenbach: La Belle Hélène, Act 1: Le jugement de Pâris. "Au mont Ida, trois déesses" (Pâris) | Jacques Offenbach, Marc Minkowski, Yann Beuron, Les Musiciens du Louvre | B♭ Major | 1 | 6B | 103 BPM | ||
| Bizet: Carmen, Act 1: "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Jonas Kaufmann, Magdalena Kozená | F♯ Minor | 0 | 11A | 83 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Riccardo Muti, Teresa Berganza | D Major | 4 | 10B | 119 BPM | ||
| Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| I Colori della Gioia | Jan van der Roost, Anneke Luyten, Casco Phil | D Major | 2 | 10B | 68 BPM | ||
| Mood Indigo | Duke Ellington, Barbara Hendricks, The Monty Alexander Trio | F Major | 3 | 7B | 205 BPM | ||
| Rossini: Stabat Mater: IX. Quando corpus morietur | Gioachino Rossini, Riccardo Muti, Agnes Baltsa, Catherine Malfitano, Gwynne Howell, Robert Gambill, Orchestra del Maggio Musicale Fiorentino | E♭ Major | 1 | 5B | 74 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| Requiem, Op.48: 2. Offertorium: Domine Jesu Christe | Gabriel Fauré, Gilles Cachemaille, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 0 | 10B | 80 BPM | ||
| Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 3: "Ist ein Traum, kann nicht wirklich sein" | Richard Strauss, Diana Damrau, Elina Garanca, Dominik Licht, Staatskapelle Dresden, Fabio Luisi | D Major | 0 | 10B | 105 BPM | ||
| Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
| Puccini: La bohème, Act 4: "Oh Dio! Mimi!" (Rodolfo/Schaunard/Mimì/Musetta/Marcello/Colline) | Giacomo Puccini, Giuseppe Di Stefano, Manuel Spatafora, Maria Callas, Anna Moffo, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Nicola Zaccaria | A Major | 0 | 11B | 80 BPM | ||
| Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM |