"The Real Transported Man" by The Prestige had its release date on January 1, 2006. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. The Real Transported Man's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Prestige". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, The Real Transported Man's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Real Transported Man by The Prestige having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Intervention | Bobby Krlic | D Major | 2 | 10B | 122 BPM | ||
| Chessboard Revealed | Jeff Beal | A♭ Major | 1 | 4B | 65 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| Dead End | Alexandre Desplat | F Major | 0 | 7B | 131 BPM | ||
| The American Dream | Tyler Bates, Lisa Papineau | D Major | 10 | 10B | 143 BPM | ||
| Suspects | Ólafur Arnalds | E♭ Minor | 3 | 2A | 145 BPM | ||
| Thursgood | Alberto Iglesias | A Major | 1 | 11B | 133 BPM | ||
| Claire And Adam | Jeff Beal | C Minor | 1 | 5A | 70 BPM | ||
| The Prestige | The Prestige | A Major | 2 | 11B | 79 BPM | ||
| Negative Pressure Test | Steve Jablonsky | B♭ Major | 4 | 6B | 120 BPM | ||
| Dr. Fletcher in Philadelphia | West Dylan Thordson | E Minor | 1 | 9A | 75 BPM | ||
| Possessor | Jim Williams | D Minor | 0 | 7A | 72 BPM | ||
| Treadmill | Kenan Bauen, Kenap D | D Major | 1 | 10B | 139 BPM | ||
| Four Windows | Jason Hill | A Minor | 0 | 8A | 126 BPM | ||
| 408.2 You Are Special | Mac Quayle | F Minor | 3 | 4A | 104 BPM | ||
| Burn or Jump | Steve Jablonsky | D Minor | 6 | 7A | 120 BPM | ||
| Memories from Childhood | Ribeiro DiCastro | A♭ Major | 0 | 4B | 79 BPM | ||
| Masking Tape | Jason Hill | F Minor | 4 | 4A | 76 BPM | ||
| Last Thing Left | Trent Reznor and Atticus Ross | A Minor | 0 | 8A | 67 BPM | ||
| The Tattoo | Jed Palmer | A Major | 0 | 11B | 120 BPM | ||
| Lindy Leaves Eddie | Paul Leonard-Morgan | C Major | 0 | 8B | 96 BPM | ||
| Inquiry | Disasterpeace | F Major | 3 | 7B | 112 BPM | ||
| Zoe's First Close-Up | Jeff Beal | C Minor | 1 | 5A | 137 BPM | ||
| Time Is Unity | Éric Serra | A♭ Minor | 1 | 1A | 134 BPM | ||
| The Rig | Steve Jablonsky | D Major | 2 | 10B | 120 BPM |