On February 19, 1996, the song "Are Mhaara Dada Bari Kari" was released by Tejkaran Rao, Rekha Rao. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 8 in Dhapudi by Tejkaran Rao, Rekha Rao. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Are Mhaara Dada Bari Kari is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Are Mhaara Dada Bari Kari by Tejkaran Rao, Rekha Rao is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lehari Anahad | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Araram Ke Sathi Kya Kya Ye | Pt. Gyanendra Sharma | E♭ Minor | 6 | 2A | 99 BPM | ||
| Tum Maat Pita | Gurbani Vichar, Waheguru Waves | E Minor | 6 | 9A | 141 BPM | ||
| Sanu Rajj Rajj Vekhan De - Mahiya | Ranjit Kaur | G Major | 3 | 9B | 107 BPM | ||
| Chhori Chameli Naachal Re | Rekha Rao, Tejkaran Rao | B♭ Minor | 6 | 3A | 107 BPM | ||
| Sunte Ho Sabki Baba | Sanjeev Verma | A Major | 8 | 11B | 80 BPM | ||
| Chhad Tur Gaya Bhani Noon | Gurdev Chahal | B♭ Minor | 4 | 3A | 119 BPM | ||
| Saanu Hoye Guraan De Darshan | Gurdev Chahal | B Minor | 5 | 10A | 133 BPM | ||
| Mhari Nindra Ud Ud Jave | Tejkaran Rao, Rekha Rao | F♯ Major | 5 | 2B | 149 BPM | ||
| Sodhi Ji Teri Balle Balle | Gurdev Chahal | B Minor | 5 | 10A | 133 BPM | ||
| Chav Chada Byaah Ka | Tarun Baliyan | G Major | 9 | 9B | 73 BPM | ||
| Ek Kheli Lagayi Par Part 1 | Swami Aadhar Chaitanya | A♭ Major | 5 | 4B | 159 BPM | ||
| Ek Bar Jo Raghuvar Ki Najaro Ka Ishara Ho Jaye | Pawan Tiwari | C Minor | 9 | 5A | 112 BPM | ||
| Chori E Chandudi | Champe Khan | C Major | 6 | 8B | 95 BPM | ||
| So Satgur Pyara Mere Naal Hai | Bhai Mehtab Singh Ji Jalandhar Wale | F Minor | 9 | 4A | 132 BPM | ||
| Cham Cham Chamke | Rekha Rao, Tejkaran Rao | B Minor | 6 | 10A | 100 BPM | ||
| Vyah Karva Bethi | Didar Sandhu, Amar Noorie | G Major | 3 | 9B | 131 BPM | ||
| Rani Ke Sabase Badi Hai Dukan | JaiSingh Raja, Rani Kushwaha | F♯ Minor | 7 | 11A | 99 BPM | ||
| Sunn Naah Pyare Ik Benanti Meri | Bhai Manpreet Singh Ji Kanpuri | D♭ Major | 4 | 3B | 196 BPM | ||
| Ni Aaja Jeeta Raniye Rall Shagan Manaiye | Bhai Ranjit Singh Dhadrianwale, Angrej Singh | D♭ Major | 9 | 3B | 105 BPM | ||
| Ram Bhaj Ram Bhaj | Bhai Anantvir Singh Ji LA Wale | E♭ Minor | 6 | 2A | 78 BPM | ||
| Papan Di Kachari | Nachhatar Gill | B Major | 9 | 1B | 87 BPM | ||
| Veeran Teri Aayi Re | Brijesh Kumar Shastri | E Minor | 9 | 9A | 110 BPM | ||
| Honde Putt Shaheed Na | Gurbaksh Singh Albela, Baldev Singh Billu, Jaswant Singh Diwana | E♭ Minor | 9 | 2A | 98 BPM | ||
| Neevaan Hoke Alakh Jagayin | Gurbaksh Singh Albela | D♭ Minor | 2 | 12A | 120 BPM |