On March 15, 1995, the song "Chhori Chameli Naachal Re" was released by Rekha Rao, Tejkaran Rao. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 8 in Chhori Chameli Naachal Re by Rekha Rao, Tejkaran Rao. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Chhori Chameli Naachal Re is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Chhori Chameli Naachal Re by Rekha Rao, Tejkaran Rao is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Radhaji Na Dadaji Ae | Master Rana | B♭ Minor | 6 | 3A | 110 BPM | ||
| Ram Ji Se Punche Janakpur Ki Naari | Mishra Bandhu | A♭ Minor | 7 | 1A | 96 BPM | ||
| Rang Rasiya Man Basiya | Rekha Rao, Parmeshwar Premi | B Major | 8 | 1B | 100 BPM | ||
| Bhagwan Tumhare Charno Mein | Santosh Upadhyay | C Major | 7 | 8B | 120 BPM | ||
| Ramata Jogi Aaya Nagarma | Hari Bharwad | F Major | 5 | 7B | 169 BPM | ||
| Khodiyar Maa Aarti | Khodaldham Dediyasan | G Minor | 10 | 6A | 155 BPM | ||
| Hivde Su Dur Mat Jay | Raj Menaria, Rekha Rao | D♭ Major | 7 | 3B | 105 BPM | ||
| Mindhal Batasa Aai Meri Chandi Maa (Chandi Mata Bhajan) Dogri Bhajan | Naveen Punjabi | D Major | 9 | 10B | 102 BPM | ||
| Khatu Shyam Tera Naam | Roshan Prince | D Major | 9 | 10B | 120 BPM | ||
| Na Rol Maiye | Nitesh Garla | B Minor | 9 | 10A | 112 BPM | ||
| Chham Chham Baaje Ghunghroo | Tej Karan Rao, Rekha Rao | D♭ Minor | 6 | 12A | 94 BPM | ||
| Khele Masane Mein Holi Digambar | Mishra Bandhu | E♭ Minor | 8 | 2A | 75 BPM | ||
| Gar Zor Mero Chale | Reshmi Sharma | C Minor | 10 | 5A | 108 BPM | ||
| Hari Naam Nahi to Jina Kya | Devendra Pathak | A♭ Minor | 7 | 1A | 96 BPM | ||
| Gor A Gangore Mata | Supriya | F♯ Major | 6 | 2B | 106 BPM | ||
| Mai tore roop hazar | Rakesh Tiwari | A♭ Major | 5 | 4B | 115 BPM | ||
| Chanda Mama Aare Aavs | MANOJ TIWARI, Rekha Rao | D♭ Major | 10 | 3B | 136 BPM | ||
| Sharan Teri Sukh Paya | Sudhir Vyas | E♭ Minor | 5 | 2A | 95 BPM | ||
| Meera Bhajan - Mohan Aao Toh Sahi | Rekha Rao | A♭ Minor | 9 | 1A | 94 BPM | ||
| Kanhaiya Meri Laaj Rakhna | Reshmi Sharma | D♭ Minor | 10 | 12A | 115 BPM | ||
| Sunti Hoon Main Ram | Maithili Thakur | C Minor | 7 | 5A | 96 BPM | ||
| Jara Itna Bata De Kanha | Meet Tripathi | F♯ Major | 7 | 2B | 94 BPM | ||
| Mor Mukut Peetamber Sohe | Riya Brijwasi | A♭ Minor | 5 | 1A | 203 BPM | ||
| Naina Lad Gaye Shyam Salone Se | Sadhvi Purnima Ji | D♭ Major | 8 | 3B | 100 BPM | ||
| Hey Gurudev Pranam Aapke Charno Mein | Isha Sharma | D♭ Major | 4 | 3B | 81 BPM |