Rekha Rao's ' "Meera Bhajan - Mohan Aao Toh Sahi" was released on its scheduled release date, January 1, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Mohan Aao Toh Sahi and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Meera Bhajan - Mohan Aao Toh Sahi is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Meera Bhajan - Mohan Aao Toh Sahi by Rekha Rao to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hum Tumhare Hain Prabhu | Devendra Pathak | C Major | 7 | 8B | 120 BPM | ||
| Pitambara Mata Bhajan - Datia Mein Sajaa Hai Darbar | Rekha Rao | B Major | 4 | 1B | 93 BPM | ||
| Mata Bhajan - Mata Rani Ka Shringar | Kavita Raam | F Major | 7 | 7B | 136 BPM | ||
| Itni Kripa Sanware Banae Rakhna | Rakesh Kala | F Minor | 7 | 4A | 80 BPM | ||
| Vrindavan Dham Apaar Jape Ja Radhe Radhe | Shridhay Shri Mridul krishna shastri ji maharaj | F Major | 9 | 7B | 144 BPM | ||
| Vrandavan Ke Baanke Bihari | Bhaiya Krishan Das Ji | F♯ Major | 5 | 2B | 92 BPM | ||
| Radhe Rani Ke Charan | Devi Neha Saraswat | G Minor | 8 | 6A | 83 BPM | ||
| Vo dekho chor hari | Shradey gaurav krishna goswami | D♭ Major | 6 | 3B | 104 BPM | ||
| Jisaki Lagi Re Lagan Bhagwan Main | Tripti Shakya | E Major | 5 | 12B | 104 BPM | ||
| Mat Maro Re Shyam Rang Pichkari | Tej Karan Rao, Rekha Rao | E Major | 6 | 12B | 131 BPM | ||
| Duniya Se Main Hara To Aaya Tere Dwar | Ankit Pathak | D♭ Major | 9 | 3B | 95 BPM | ||
| Radha Rang | Devi Chitralekha, Shriyansh Pratap Singh, Kewal Krishan | D♭ Major | 7 | 3B | 80 BPM | ||
| Mera Dil Tujhpe Kurbaan | Manoj Sharma Gwalior | A♭ Major | 9 | 4B | 93 BPM | ||
| Baba Bam Lahari | Manish Tiwari | B Major | 5 | 1B | 117 BPM | ||
| Maane Chunri Maanga De | Rekha Rao | C Minor | 5 | 5A | 97 BPM | ||
| O Barsane Wali | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A Major | 8 | 11B | 111 BPM | ||
| Prabhu Ne Gale Lagaya | Kuldeep Singh | F♯ Major | 10 | 2B | 145 BPM | ||
| Mere Sheesh Ke Dani Ka | Pt. Ram Avtar Sharma, Anupama, Rajneesh Sharma | D♭ Major | 8 | 3B | 107 BPM | ||
| Kanha O Kanha | Navin Tripathi, Kavita Raam | E Major | 8 | 12B | 87 BPM | ||
| Mera Ram Bhi Tu | Sukha Ram Saroa | C Minor | 8 | 5A | 104 BPM | ||
| Lagan Shyam Naam Ki | Reshmi Sharma | B♭ Minor | 9 | 3A | 103 BPM | ||
| Ganpati Vandana | Manish Tiwari | G Major | 7 | 9B | 84 BPM | ||
| Door Nagari Badi Door Nagari | Pandit Gaurangi Gauri Ji | G Major | 8 | 9B | 170 BPM | ||
| Choliya Me Hota Gudgudi | Rekha Rao | D Major | 9 | 10B | 110 BPM | ||
| Bans Ki Bansuriya Pe | Dolly Sharma | F♯ Major | 7 | 2B | 97 BPM |