On May 28, 2005, the song "Maane Chunri Maanga De" was released by Rekha Rao. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rao, Kumar Vishu's "Gorband Vol-1" album is number 8 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Maane Chunri Maanga De is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Maane Chunri Maanga De by Rekha Rao to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baanke Bihari Tere Nayna Kajraare | Bhaiya Krishan Das Ji | A♭ Major | 8 | 4B | 82 BPM | ||
| Tali Pado to Mara Ram Ni | Master Rana | G Minor | 7 | 6A | 114 BPM | ||
| Ghoomar | Rekha Rao | A♭ Major | 8 | 4B | 99 BPM | ||
| Leta Jaiejiyo Re Rumaal | Rekha Rao, Rekha Raj | E♭ Major | 8 | 5B | 96 BPM | ||
| Maa Karni Mahari Araj Suno | Amrit Rajasthani | E♭ Major | 8 | 5B | 135 BPM | ||
| Araj Laga Le | Sanjay Mittal | F♯ Major | 7 | 2B | 124 BPM | ||
| Aagare Se Ghagaro | Rekha Rao, Nisha Upadhyay | G Major | 7 | 9B | 101 BPM | ||
| Jo Prem Gali Mein Aaya Nahi | Pandit Gaurangi Gauri Ji | E♭ Minor | 7 | 2A | 150 BPM | ||
| Kanha Barsane Mein Aa Jaiyo | Tripti Shakya | F♯ Major | 9 | 2B | 140 BPM | ||
| tere ashiq tere diwane hai lagan tumse laga baithe | Bhagwat Suthar | B Major | 9 | 1B | 94 BPM | ||
| SANWARIYO HAI SETH MARI RADHA JI SETHANI HAI | Bhagwat Suthar | A♭ Major | 9 | 4B | 77 BPM | ||
| Karle Tu Shiv Ki Bhakti | Kishan Bhagat | D♭ Major | 8 | 3B | 160 BPM | ||
| Vrindavan Pe Hukum Chale Barsane Wali Ka | Prakash Das Maharaj | B♭ Minor | 9 | 3A | 111 BPM | ||
| Murli Baja Ke Mohana | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 8 | 4B | 148 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Daya Thodi Si Kardo Na | Sonu Bishnoi | F♯ Major | 7 | 2B | 79 BPM | ||
| Kaisa Pyara ye Darbar hai | Mayank Agarwal | A♭ Major | 8 | 4B | 91 BPM | ||
| Mahari Titri | Rekha Rao, Pramesh Premi | B♭ Minor | 9 | 3A | 110 BPM | ||
| Maiya Ri Maiya Ek Khilona Chota Sa Dilwade | Kanhiya Mittal | A♭ Minor | 7 | 1A | 83 BPM | ||
| Hari Naam Nahi to Jina Kya | Devendra Pathak | A♭ Minor | 7 | 1A | 96 BPM | ||
| Mhane Khatu Main Bulale Baba Shyam | Sanju Sharma | C Major | 7 | 8B | 75 BPM | ||
| Khatu Shyam Chalisa | Manoj Mishra | C Minor | 7 | 5A | 96 BPM | ||
| Sanware Ki Mehfil Ko Sanwara Sajata Hai | Bhakti Bhajan Sangrah | A♭ Major | 7 | 4B | 88 BPM | ||
| Jogan Bhes Banaya | Gaurav Krishna Goswami | F♯ Minor | 9 | 11A | 130 BPM | ||
| Hari Thara Naam Hazar | Moinuddin Manchala | A♭ Major | 9 | 4B | 116 BPM |