On May 26, 2003, the song "Mahari Titri" was released by Rekha Rao, Pramesh Premi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rao, Pramesh Premi's "Kota Soon To Kagad Aayo" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Mahari Titri is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mahari Titri by Rekha Rao, Pramesh Premi to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meera Bhajan - Mohan Aao Toh Sahi | Rekha Rao | A♭ Minor | 9 | 1A | 94 BPM | ||
| Hey Har Hammar Karhun Prtipala | Udit Narayan | B Minor | 8 | 10A | 132 BPM | ||
| Ram Ram 108 | Ajay Bhai Ji | B Major | 8 | 1B | 85 BPM | ||
| Lagan Shyam Naam Ki | Reshmi Sharma | B♭ Minor | 9 | 3A | 103 BPM | ||
| O Maiya Ji Kirpa Karo | Ranjeet Raja | A♭ Minor | 10 | 1A | 102 BPM | ||
| Raat Shyam Sapne Mein Aaye | Sanjo Baghel | D Minor | 8 | 7A | 90 BPM | ||
| Bhav Mere Tere Siwa Kaun Jaan Payega | Pushpendra Chauhan | A♭ Minor | 5 | 1A | 140 BPM | ||
| Maiya Tere Darbar Ye Diwane Aaye Hai | Shahnaz Akhtar | B♭ Minor | 8 | 3A | 102 BPM | ||
| Jiski Ungli Pe Chalta Ye Sansaar Hai | Yash Baid | B Major | 9 | 1B | 128 BPM | ||
| Nach Rahi Hai Kali Angana Mein | Sandeep Karosiya | B♭ Major | 9 | 6B | 147 BPM | ||
| Kota Suto Kagaj Aayo | Rekha Rao, Pramesh Premi | D♭ Minor | 7 | 12A | 171 BPM | ||
| Maine Sab Kuchh Paya Daati | Narendra Chanchal | D♭ Major | 7 | 3B | 80 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Mera Bhola Na Mane | Shekhar Jaiswal | D♭ Major | 7 | 3B | 125 BPM | ||
| Jab Girte Hue Maine Tera Naam Liya Hai | Gaurav Krishna Goswami | E Minor | 9 | 9A | 150 BPM | ||
| Shyam Name Ki Kamai | Kishan Bhagat | B Minor | 8 | 10A | 145 BPM | ||
| Hansa Sundar Kaya Ro | Prakash Mali | A♭ Major | 8 | 4B | 82 BPM | ||
| Yadi Nath Ka Naam Dayanidhi Hai | Devendra Pathak | F♯ Minor | 6 | 11A | 151 BPM | ||
| Nagari Ho Ayodhya Si | Roshani Pandey | D♭ Minor | 8 | 12A | 93 BPM | ||
| Kaisa Pyara ye Darbar hai | Mayank Agarwal | A♭ Major | 8 | 4B | 91 BPM | ||
| Chimte Di Chankar | Bandna Dhiman | A♭ Major | 10 | 4B | 132 BPM | ||
| Man Mohan Khel Rahe Holi | Gaurav Krishna Goswami | C Major | 9 | 8B | 126 BPM | ||
| Banoge Radha To Ye Janoge | Mukesh Bagda | C Minor | 7 | 5A | 144 BPM | ||
| Hari Naam Nahi to Jina Kya | Devendra Pathak | A♭ Minor | 7 | 1A | 96 BPM | ||
| Ek Baar To Radha Ban Ke | Arya Nandani | A♭ Major | 9 | 4B | 154 BPM |