On 2005, the song "Fireball" was released by Houston Dunleavy. This song appears to be safe for all ages as it is not explicit. There are a total of 14 in the song's album "Piano and ...". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Australia. Based on our statistics, Fireball's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Fireball by Houston Dunleavy having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kizuna | Ryuichi Sakamoto | A Minor | 0 | 8A | 131 BPM | ||
| Nostalgia Song | Eleni Karaindrou, Maria Bildea, Sergiu Nastasa, Renato Ripo, Vangelis Christopoulos, Spyros Kazianis, Antonis Lagos, Dinos Hadjiiordanou, Camerata, Friends Of Music Orchestra | D Minor | 0 | 7A | 69 BPM | ||
| Ex Machina: Machine IV (Dancing a Mean Ghastly Dance) | Marc Mellits, Donald Sinta Quartet | G Minor | 3 | 6A | 128 BPM | ||
| Concerto in E Minor for Violoncello and Orchestra (Elgar) | Nevermore Academy Orchestra | F Minor | 1 | 4A | 71 BPM | ||
| Rhythm Song | Paul Smadbeck, Evelyn Glennie, Barry Wordsworth | A♭ Minor | 0 | 1A | 103 BPM | ||
| Princess Zelda's Theme (From "The Legend of Zelda: The Wind Waker") | ZREO: Second Quest, ATLYS, Andrew Vogt, Ari Barack Fisher | G Major | 1 | 9B | 82 BPM | ||
| The Seed and The Sower | Ryuichi Sakamoto | B♭ Major | 1 | 6B | 132 BPM | ||
| Preludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | B Minor | 1 | 10A | 79 BPM | ||
| 狂気の影 | Takashi Kako | G Minor | 3 | 6A | 83 BPM | ||
| 時の堆積 | YOSHIHIRO KANNO | B♭ Major | 1 | 6B | 55 BPM | ||
| Death Is Not the End | Franco Esteve | E♭ Major | 2 | 5B | 173 BPM | ||
| When the Dream Comes | Philip Glass, Kronos Quartet | D♭ Major | 0 | 3B | 96 BPM | ||
| Reminiscence | Joe Hisaishi | G Major | 2 | 9B | 115 BPM | ||
| Third Movement | David Teie, Alice Kogan Weinreb, Sylvia Alimena, Eclipse Chamber Orchestra | E Minor | 3 | 9A | 82 BPM | ||
| Void Pulse | Astrid Voix | A Major | 2 | 11B | 75 BPM | ||
| Maré de Sizígia | Matheus Araujo, The Unpredictable | D Minor | 0 | 7A | 79 BPM | ||
| Lonely Lives | Eleni Karaindrou, Yannis Evangelatos, Dinos Hadjiiordanou | B Minor | 0 | 10A | 70 BPM | ||
| Weary Soul | Orithia | D Major | 6 | 10B | 98 BPM | ||
| O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | ||
| Spotdance | Balanescu Quartet | C Minor | 3 | 5A | 80 BPM | ||
| Now Found Is The Fairest Of Roses (Arr. For String Quartet) | Traditional, Danish String Quartet | G Major | 0 | 9B | 96 BPM | ||
| Basement | Jerskin Fendrix | D♭ Minor | 1 | 12A | 124 BPM | ||
| Super Interlude Pt. 1 | Christina Vantzou | C Major | 0 | 8B | 68 BPM | ||
| Caravan Ambient | Robert L. Euvino | G Major | 1 | 9B | 85 BPM | ||
| Wandering Jane (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | B♭ Major | 2 | 6B | 172 BPM |