On October 28, 2003, the song "Where Do I Go From Here" was released by Robert Cray. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Robert Cray's "Heritage Of The Blues: Phone Booth" album is number 10 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, Where Do I Go From Here is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Where Do I Go From Here by Robert Cray to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One More Chance | Michael Burks | A♭ Major | 8 | 4B | 92 BPM | ||
| That's What You Do | Christone "Kingfish" Ingram | A Major | 9 | 11B | 110 BPM | ||
| Sledgehammer Soul & Down Home Blues | Mighty Sam McClain | G Major | 5 | 9B | 110 BPM | ||
| You Can Stay But The Noise Must Go On | Walter Wolfman Washington | E♭ Major | 6 | 5B | 98 BPM | ||
| Bluesman for Life - Remastered | Roy Gaines | F Minor | 7 | 4A | 120 BPM | ||
| Boogie Man | Bernard Allison | F Major | 7 | 7B | 118 BPM | ||
| Too Tired | Albert Collins | D Major | 7 | 10B | 136 BPM | ||
| I'm A Steady Rollin' Man - Studio | Peter Green Splinter Group | G Major | 4 | 9B | 124 BPM | ||
| Well, Well | Joe Bonamassa, Beth Hart | D Major | 9 | 10B | 97 BPM | ||
| I'm Leaving You (Commit a Crime) - Live | Stevie Ray Vaughan | D♭ Major | 7 | 3B | 126 BPM | ||
| Minor Blues | Buddy Whittington | A Minor | 7 | 8A | 110 BPM | ||
| Big Legged Woman | Freddie King | B♭ Major | 6 | 6B | 185 BPM | ||
| I'd Rather Be Blind, Crippled and Crazy | Doyle Bramhall | E Minor | 6 | 9A | 178 BPM | ||
| Blues Is the Road | Snowy White, The White Flames | B♭ Major | 7 | 6B | 124 BPM | ||
| Long Way from Home | The Vaughan Brothers | A♭ Major | 9 | 4B | 114 BPM | ||
| Me And My Guitar | Peter Frampton Band | D Major | 8 | 10B | 97 BPM | ||
| Chain Lightning | Steely Dan | E Minor | 6 | 9A | 142 BPM | ||
| Something To Remember You By | Albert Collins, Robert Cray, Johnny Copeland | G Major | 5 | 9B | 171 BPM | ||
| Ten Thousand Watts | Altered Five Blues Band | A Minor | 9 | 8A | 96 BPM | ||
| Help Me | Sonny Boy Williamson II | F Minor | 4 | 4A | 114 BPM | ||
| The Moon Is Full | The Jeff Healey Band | C Major | 8 | 8B | 102 BPM | ||
| All the Way | The Robert Cray Band | A Major | 4 | 11B | 172 BPM | ||
| I'm Tore Down | John Hammond | D Major | 4 | 10B | 121 BPM | ||
| I Think I Love You Too Much | Ben Poole | B♭ Minor | 4 | 3A | 111 BPM | ||
| Tell Me | Stevie Ray Vaughan | D♭ Minor | 7 | 12A | 128 BPM |