Riccardo Drigo, Hisako Hirata, Sissonne Music's ' "Aspicia Variation" was released on its scheduled release date, December 1, 2023. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Aspicia Variation and no other songs are present in the album, we classify this track as a single. In terms of popularity, Aspicia Variation is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Aspicia Variation by Riccardo Drigo, Hisako Hirata, Sissonne Music is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Flamme von Paris (Flames of Paris), Act IV: Allegretto: Women's Variation [arr. March] | Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov | G Major | 0 | 9B | 94 BPM | ||
| Sérénade, tirée du ballet Les millions d'Arlequin. Transcription d'Eugène Wolf | Riccardo Drigo, Aleth Lamasse, Daria Hovora | A Major | 1 | 11B | 86 BPM | ||
| Paquita: Polonaise and Mazurka | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 4 | 6B | 124 BPM | ||
| Coppélia : Act III, No.20 Féte de la cloche - Divertissement 8a) Male variation | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B Major | 2 | 1B | 83 BPM | ||
| Act II, ii, 13 Grand pas Classique: Variation 4: Variation Zhenskaya from "Le Pavillon d'Armide" (Tcherepnin) | Nikolai Tcherepnin, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Harmonie-Polka, Op. 106 | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | F Major | 3 | 7B | 96 BPM | ||
| Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 3 | 5B | 95 BPM | ||
| Paquita/Jewel Variation | Kim Ji Hyun | E♭ Major | 1 | 5B | 120 BPM | ||
| Grands Battements La Bayadere | Debbi Parks | G Major | 4 | 9B | 95 BPM | ||
| Le Corsaire, Pas de deux: II. Allegro: Tempo di Valse. Men's Variation (Arr. J. Lanchberry) | Riccardo Drigo, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 89 BPM | ||
| Petite suite IV. Ballet - Allegro giusto Ballet - Allegro giusto IV - Ballet (Allegro giusto) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | D Major | 2 | 10B | 110 BPM | ||
| Pliés (F. Chopin Op.9 No.2) | Youngsin Sarah Choi | E♭ Major | 1 | 5B | 98 BPM | ||
| Demi Plié (Longer): Black Swan Pas De Deux | Trisha Wolf | D Major | 3 | 10B | 118 BPM | ||
| Don Quixote, Act III: Variation. Dryad's mistresses (Souvenir du Ball) | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | G Major | 0 | 9B | 84 BPM | ||
| Paquita: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 0 | 10B | 78 BPM | ||
| Girl's Variation from "Le Roi Candaule" Cello Solo | Riccardo Drigo, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | F Major | 0 | 7B | 110 BPM | ||
| Swan Lake: Pas De Trois Variation 1 | Trisha Wolf | E♭ Major | 3 | 5B | 152 BPM | ||
| Coppélia, Tableau 3: No. 20 Fête de la cloche: IX. Galop final - Alternative Version | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM | ||
| Battements tendus jetés I (V. Youmans "Tea for Two") | Youngsin Sarah Choi | D Major | 1 | 10B | 90 BPM | ||
| Raymonda, Act II: Variation 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | A Major | 2 | 11B | 72 BPM | ||
| Le Corsaire: Act I - "11. Pas de Trois des Odalisques: Variation: 3rd Odalisque" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | D Major | 0 | 10B | 114 BPM | ||
| Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM | ||
| Die Millionen des Harlekin: Serenade | Riccardo Drigo, Schwanen Salon Orchestra, Georg Huber | E♭ Major | 1 | 5B | 111 BPM | ||
| Fouettés, Piqué Turns: Center Floor Technique | David Howard, Joe Cross | C Major | 3 | 8B | 146 BPM |