"Girl's Variation from "Le Roi Candaule" Cello Solo" by Riccardo Drigo, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè had its release date on February 4, 2025. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Paquita Grand Pas Classique Comprehensive Variations + Frescoes + Corsaire Medora Russian Variation". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Girl's Variation from "Le Roi Candaule" Cello Solo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Girl's Variation from "Le Roi Candaule" Cello Solo by Riccardo Drigo, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giselle, Peasant pas de deux, Act I: Allegretto: First Men's Variation (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | G Major | 0 | 9B | 94 BPM | ||
| Etudes: VIII. Relevés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | F Major | 0 | 7B | 76 BPM | ||
| Grand Batt. 3/4 - Masquerade: I. Waltz (excerpt) | Aram Khachaturian, Erik Geddis | A♭ Major | 0 | 4B | 94 BPM | ||
| Paquita: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 84 BPM | ||
| Grand allegro 2 in C-Major, ballet " La Naiade et le Pécheur", Act 1, pas d´action, variation | Cesare Pugni, Konstantin Mortensen | A Major | 2 | 11B | 87 BPM | ||
| The Sleeping Beauty, Op. 66, Pt. 3: IV. Pas de deux. Variation 2 | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Barry Wordsworth | A Major | 0 | 11B | 62 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| The Sleeping Beauty, Op. 66 : Coda | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | D Major | 3 | 10B | 90 BPM | ||
| Plié 3/4: ¡Hola Casita! | Daniel Fifield | B Major | 2 | 1B | 120 BPM | ||
| Pirouettes in A- Major, Opéras comiques "La fille de Madama Angot", Act 1, Allegro-valse | Charles Lecocq, Konstantin Mortensen | A Major | 1 | 11B | 60 BPM | ||
| Grand Jeté | Robin Rhodin | A Minor | 2 | 8A | 101 BPM | ||
| Le Corsaire: Pas d Esclave - Coda | Prince Pyotr Von Oldenburg, English National Ballet Philharmonic, Gavin Sutherland | E Major | 1 | 12B | 143 BPM | ||
| The Awakening of Flora (Ronde de Jambe) | Riccardo Drigo, Nina Miller | F Major | 2 | 7B | 75 BPM | ||
| Cipollino, Act II Scene 3: Scene with Flowers | Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra | A Major | 1 | 11B | 103 BPM | ||
| Le Corsaire: Act III - "10. Le Jardin Anime: Coda" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | B Major | 0 | 1B | 70 BPM | ||
| Graduation Ball - Arranged by A. Dorati from various Strauss works: Divertimenti: 4. Virtuoso Polka | Johann Strauss II, Wiener Philharmoniker, Antal Doráti | F Major | 1 | 7B | 106 BPM | ||
| Don Quixote, Act I: Coda. Basilio and Quiteria make their escape | Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 1 | 9B | 114 BPM | ||
| No. 9 Spanierin: Allegro | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 181 BPM | ||
| Jeté / Dégagé Roudnev, Vol. 1 | Marina Stolyar, Dmitri Roudnev | C Minor | 0 | 5A | 112 BPM | ||
| Plié 3/4 [64 Measures & Repeat] | Tatyana Grigoryants | E Minor | 3 | 9A | 127 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Entr'acte: Andante moderato; Allegretto | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | A Major | 1 | 11B | 114 BPM | ||
| Swan Lake: Little Swans - Slower | Trisha Wolf | B Minor | 4 | 10A | 174 BPM | ||
| Battements tendus jetés I (V. Youmans "Tea for Two") | Youngsin Sarah Choi | D Major | 1 | 10B | 90 BPM |