"Ruy Blas: "Larva dorata" - Instrumental Version" by Filippo Marchetti, Orchestra Sinfonica Moldava, Silvano Frontalini had its release date on May 6, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 5 in Arias for Soprano: Music Only (Vol. II) by Silvano Frontalini, Orchestra Sinfonica Moldava. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Ruy Blas: "Larva dorata" - Instrumental Version is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ruy Blas: "Larva dorata" - Instrumental Version by Filippo Marchetti, Orchestra Sinfonica Moldava, Silvano Frontalini is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasias Solitarias | Sirenas Celestiales | B Minor | 2 | 10A | 92 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | G Major | 2 | 9B | 74 BPM | ||
| Bellini: I puritani: "Ad Arturo onore" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | ||
| Roig: Cecilia Valdés: "Salida de Cecilia" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | C Major | 2 | 8B | 111 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeur de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
| La fille du régiment: Chacun les sait, chacun le dit | Gaetano Donizetti, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | D♭ Major | 2 | 3B | 82 BPM | ||
| Romeo e Giulietta, Act IV Scene 2: O sacra notte (Romeo) - Scene 3: Romeo! [Giulietta, Romeo] | Filippo Marchetti, Mario Cassi, Serena Daolio, Giovanni Coletta, Dario Solari, Roberto Iuliano, Emil Zhelev, Andrea Mastroni, Tiziana Portoghese, Eugen Gaal, Bratislava Chamber Choir, Orchestra Internazionale D'Italia, Andriy Yurkevych | C Major | 3 | 8B | 83 BPM | ||
| Trois mélodies, Op. 23: No. 2, Notre amour | Dilyana Georgieva, Galina Apostolova | E Major | 3 | 12B | 102 BPM | ||
| Monte Carmelo: "Habanera" | Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Pepita Rollán, Gran Orquest Sinfónica del Teatro Calderón de Madrid | E♭ Major | 4 | 5B | 172 BPM | ||
| Don Carlo: "Per me guinto - O Carlo ascolta" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | A♭ Major | 2 | 4B | 79 BPM | ||
| I Bin A Echter Weana | Die Altgrinzinger Schrammeln | G Major | 1 | 9B | 96 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Paloma y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | D Major | 3 | 10B | 75 BPM | ||
| Nebula Waves | Kira Nebula | D♭ Major | 3 | 3B | 119 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| Rigoletto, Act III: Tutte le feste al tempio | Giuseppe Verdi, Renata Scotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | F Minor | 1 | 4A | 75 BPM | ||
| Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Andrea Chénier, Andrea Chenier, Act III: Nemico della Patria | Umberto Giordano, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | B♭ Major | 3 | 6B | 128 BPM | ||
| Rigoletto, Act II: Mio padre! – Compiuto pur quanto | Giuseppe Verdi, Dame Joan Sutherland, Sherrill Milnes, Christian Du Plessis, John Gibbs, Ricardo Cassinelli, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 79 BPM | ||
| Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
| Ruy Blas, Act IV: Né viene ancor! - Dunque il biglietto è apocrifo (Live) | Filippo Marchetti, Sylvia Marini, Alberto Gazale, Dan Lipton, Orchestra Filarmonica Marchigiana | D Major | 1 | 10B | 66 BPM | ||
| Die Fledermaus, Act II: Couplet. Ich lade gern mir Gäste ein (Orlofsky) | Johann Strauss II, Friedrich Haider, Natascha Petrinsky, WDR Rundfunkorchester Köln | F Major | 4 | 7B | 117 BPM |