"Falling Behind" by Robert Spurling had its release date on March 8, 2015. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 11 in Catalyst by Robert Spurling. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Falling Behind's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Falling Behind by Robert Spurling is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fading Echoes | Angel of Oblivion | B♭ Minor | 2 | 3A | 95 BPM | ||
| Somewhere Between Soundcheck and Showtime the Digital Setlist Became Self-Aware and Started Updating the Opening Band’s Song Titles Because They Were Too Vanilla | Bushido Girl | G Major | 8 | 9B | 105 BPM | ||
| Crystal Shards | Angel of Oblivion | A Minor | 5 | 8A | 92 BPM | ||
| Reverse (feat. Stel Andre) | Distant Dream, Stel Andre | F♯ Minor | 6 | 11A | 95 BPM | ||
| As I Fall | Andy James | B Minor | 10 | 10A | 82 BPM | ||
| The Uprising | Tore Fagerheim | E Minor | 9 | 9A | 105 BPM | ||
| Between Bliss And Terror | Deaf Election | B♭ Minor | 9 | 3A | 110 BPM | ||
| All Is Forgiven | Andy Timmons | G Major | 8 | 9B | 132 BPM | ||
| Echoes | God Is An Astronaut | F Minor | 8 | 4A | 99 BPM | ||
| Crash Course | Rockin' For Decades | A♭ Major | 8 | 4B | 130 BPM | ||
| Sleeping Waves (feat. Dhalif Ali) | Distant Dream, Dhalif Ali | D♭ Minor | 8 | 12A | 140 BPM | ||
| Mixed Signals | Jakub Tirco | F Minor | 8 | 4A | 115 BPM | ||
| Escalators - Instrumental | Annisokay | D♭ Major | 10 | 3B | 93 BPM | ||
| The World Burning Around Me | Angel Vivaldi | D♭ Minor | 10 | 12A | 95 BPM | ||
| Vision | Sergey Golovin | D♭ Minor | 8 | 12A | 179 BPM | ||
| Sound Guy Tried to Quickly Fix the Mix Mid Song and Instead Introduced an Audio Channel of Someone Eating Food | Bushido Girl | G Major | 6 | 9B | 104 BPM | ||
| Nomad's Last Charge | Sandstorm Serenade | D♭ Major | 10 | 3B | 200 BPM | ||
| Through the Dark Matter | Rhymes of the Damned | G Major | 7 | 9B | 120 BPM | ||
| Firenze | Andy Timmons | F Major | 6 | 7B | 104 BPM | ||
| Singularity Rising | Metal Sanctuary | G Minor | 8 | 6A | 130 BPM | ||
| They Fall | Alec Koff | D Minor | 10 | 7A | 120 BPM | ||
| Post Mortem | Tore Fagerheim | E Minor | 9 | 9A | 180 BPM | ||
| Enact the Ending | Thousand Sun Sky | C Major | 10 | 8B | 106 BPM | ||
| Tainted - Instrumental Version | Red Revision | F♯ Major | 7 | 2B | 128 BPM | ||
| Fear the Bones (Heatblur F-14 Soundtrack) | Meteor | A Major | 9 | 11B | 145 BPM |