"Angels' Visits" by Claude Melnotte, Harmoneion Singers, Kathleen Battle, Lawrence Skrobacs had its release date on January 1, 1977. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 13 in Angels' Visits and Other Vocal Gems of Victorian America by Harmoneion Singers. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Angels' Visits is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Angels' Visits by Claude Melnotte, Harmoneion Singers, Kathleen Battle, Lawrence Skrobacs is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 5 Lieder, Op. 41: 1. Wiegenlied | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 0 | 10B | 75 BPM | ||
| Le nozze di Figaro, K. 492, Act IV Scene 14: Gente, gente, all'armi, all'armi! (Conte, Figaro, Basilio, Don Curzio, Antonio, Bartolo, Susanna, Barbarina, Cherubino, Marcellina, Contessa) | Wolfgang Amadeus Mozart, Daniel McCoshan, Franco Calabrese, Glyndebourne Chorus, Graziella Sciutti, Gwyn Griffiths, Hugues Cuénod, Ian Wallace, Jeannette Sinclair, Monica Sinclair, Rise Stevens, Sena Jurinac, Sesto Bruscantini, Vittorio Gui | G Major | 1 | 9B | 91 BPM | ||
| Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
| Voi che sapete | Natalie Choquette | B♭ Major | 1 | 6B | 110 BPM | ||
| Il barbiere di Siviglia, Act I: No. 5, Cavatina. Una voce poco fa - Cabaletta. Io sono docile | Gioachino Rossini, Kathleen Battle, Chamber Orchestra of Europe, Claudio Abbado | E Major | 0 | 12B | 113 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | ||
| Otello / Act IV: Ave Maria, piena di grazia | Giuseppe Verdi, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Minor | 0 | 9A | 81 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
| Requiem, K. 626: IIIb. Tuba mirum | Wolfgang Amadeus Mozart, Edith Mathis, Julia Hamari, Wiesław Ochman, Karl Ridderbusch, Hans Haselböck, Wiener Philharmoniker, Karl Böhm | D♭ Minor | 4 | 12A | 146 BPM | ||
| Ein Sommernachtstraum (A Midsummer's Night Dream): XI. Finale "Bei des Feuers mattem Flimmern" | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe, Sandrine Piau, La Chapelle Royale, Collegium Vocale Gent, Delphine Collot | E Major | 0 | 12B | 146 BPM | ||
| Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D Major | 1 | 10B | 69 BPM | ||
| Angels' Visits | Claude Melnotte, Harmoneion Singers, Kathleen Battle, Lawrence Skrobacs | A♭ Major | 0 | 4B | 70 BPM | ||
| Wagner: Lohengrin, Act 1: "Des Ritters will ich wahren" (Elsa, Chor, König Heinrich) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow, Chor der Deutschen Oper Berlin, Karl Ridderbusch | D♭ Major | 2 | 3B | 180 BPM | ||
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| Two Songs, Op. 91: Geistliches Wiegenlied | Johannes Brahms, Maxim Rysanov, Alice Coote, Ashley Wass, Alexander Sitkovetsky, Julia Dekneka, Kristine Blaumane | F Major | 1 | 7B | 90 BPM | ||
| Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM | ||
| The Magic Flute, K. 620: Act I, No.3. Aria: "Dies Bildnis ist bezaubernd schön" | Rundfunkorchester des Südwestfunks Baden-Baden | E♭ Major | 2 | 5B | 169 BPM | ||
| Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: No. 9, Recit. Abscheulicher! – Aria. Komm, Hoffnung, lass den letzten Stern | Ludwig van Beethoven, Nina Stemme, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Major | 1 | 12B | 165 BPM | ||
| Requiem In D Minor, K. 626: Sequence: II. Tuba Mirum | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Vladimir Ruso, Jaroslava Horska, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Wolfgang Amadeus Mozart | F Major | 0 | 7B | 94 BPM | ||
| Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM | ||
| Falstaff / Act 3: Dal labbro il canto estasiato | Giuseppe Verdi, Dalmacio Gonzales, Barbara Hendricks, Katia Ricciarelli, Lucia Valentini Terrani, Brenda Boozer, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 127 BPM | ||
| Flower Duet (Va Vie - Scuoti Quella Fronda) | Maria Callas, Lucia Danieli | A Major | 1 | 11B | 123 BPM | ||
| Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
| Les Pêcheurs de perles, WD 13, Act I: Ô dieu Brahma! | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs, Les Cris De Paris | G Major | 1 | 9B | 176 BPM | ||
| Le nozze di Figaro, K. 492, Act I: No. 6, Non so più – Ah, son perduto! | Wolfgang Amadeus Mozart, Frederica von Stade, Lucia Popp, Thomas Allen, Robert Tear, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 1 | 5B | 137 BPM |