Charlie Chaplin, Philippe Quint's ' "Tango Bitterness" was released on its scheduled release date, January 11, 2019. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Tango Bitterness's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 13 in Chaplin's Smile: Song Arrangements for Violin and Piano by Charlie Chaplin, Philippe Quint. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Tango Bitterness is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Tango Bitterness by Charlie Chaplin, Philippe Quint is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scherzo and March (Music from the Opera «Love for Three Oranges») | Alexander Hrustevich | D Minor | 3 | 7A | 131 BPM | ||
| Youkali Tango | The Armadillo String Quartet | D Minor | 1 | 7A | 86 BPM | ||
| La valse à Margaux | Richard Galliano, I Solisti Dell'Orchestra Della Toscana | F Minor | 4 | 4A | 139 BPM | ||
| Power Conundrum | Ronan Maillard | A Major | 5 | 11B | 127 BPM | ||
| Chiquilín de Bachín | Astor Piazzolla, Maria Lindsay, Josephine Allan | E Minor | 2 | 9A | 109 BPM | ||
| Letter to the Beyond | Alberto Iglesias | C Major | 2 | 8B | 73 BPM | ||
| La ronde des Lutins | Antonio Bazzini, Christian Li, Timothy Young | G Major | 5 | 9B | 98 BPM | ||
| Paganinoska | Janoska Ensemble | F Minor | 3 | 4A | 67 BPM | ||
| Wind Breeze | Laurent Dury, ArtSound | F Major | 2 | 7B | 110 BPM | ||
| Zigeunerweisen, Op.20 | Pablo de Sarasate, Akiko Suwanai, Budapest Festival Orchestra, Iván Fischer | G Minor | 1 | 6A | 80 BPM | ||
| Piazzolla / Transcr. Ducros: Chin Chin | Lucienne Renaudin Vary | E Minor | 3 | 9A | 122 BPM | ||
| Adiós a Cuba | Ignacio Cervantes, Frank Fernández | A♭ Minor | 0 | 1A | 106 BPM | ||
| Petrushka: Danse Russe | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| Violin Sonata: IV. Allegro | John Corigliano, William Wolfram, Philippe Quint | A Major | 2 | 11B | 146 BPM | ||
| Danse macabre, Op. 40, R. 171 (Version for Violin & Piano) | Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen | E♭ Major | 2 | 5B | 107 BPM | ||
| Caribbean Vibes (First Movement from The Four Seasons in Janoska Style, Summer, Violin Concerto in G Minor, Op. 8/2, RV 315) | Antonio Vivaldi, Janoska Ensemble | D Major | 3 | 10B | 179 BPM | ||
| Distorted Reflection: VII. Shadow | Bishara Khell, Amira Ishaq, Bishara Haroni, Carol Ibrahim, Eleni Ghassan Mustaklem, Hikmat Ata Qaymari, Hussein Abu Al-Rob, Jalal Nader Albess, Jude Al Qalawi, Luay Bishara, Mahmoud Karzon, Mahran Moreb, Mohammed Karzon, Muntaser Jabarini, Rashed Za'rour, | B♭ Minor | 6 | 3A | 149 BPM | ||
| Introducción al Danzón No. 2 - Danzón No. 2 | Arturo Márquez, The Impossible Orchestra, Alondra de la Parra | D Minor | 2 | 7A | 120 BPM | ||
| Evening / The Millionaire | Charlie Chaplin | F♯ Major | 2 | 2B | 82 BPM | ||
| Czardas Nr. 1 | David Bernbach | D Major | 1 | 10B | 161 BPM | ||
| Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | F Minor | 1 | 4A | 75 BPM | ||
| Canto della Buranella (From "Il Casanova di Federico Fellini") | Nino Rota, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
| Tradicional: Pello Ziri Ziri | Iñaki Alberdi | G Major | 2 | 9B | 122 BPM | ||
| La bohème (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
| Au lait | Airelle Besson, Lionel Suarez | F Minor | 1 | 4A | 75 BPM |