Richard Percival, David Shephard, Julie Haskell's ' "The Oily Rag" was released on its scheduled release date, November 15, 2001. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. The Oily Rag's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 9 in AMEB Clarinet Series 2 Fourth Grade by David Shephard, Julie Haskell. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. The popularity of The Oily Rag is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Oily Rag by Richard Percival, David Shephard, Julie Haskell is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saturación | Auren El Fino | D Major | 3 | 10B | 128 BPM | ||
| Bozza Aria pour Saxophone Alto Mib et Piano | Masato Kumoi, Tomoko Nakachi | G Minor | 1 | 6A | 76 BPM | ||
| Ave Maria, CG 89a | Johann Sebastian Bach, Charles Gounod, Ludmila Peterková, Irina Kondratenko | C Major | 0 | 8B | 133 BPM | ||
| Crazy Versions Of Reality, Pt. XII | CargoBand | A Minor | 1 | 8A | 67 BPM | ||
| Everything Has an End | Lluis Capdevila | G Minor | 1 | 6A | 110 BPM | ||
| Kaleidoscope, Op. 18: Nos. 1-3: Good Morning; Promenade; the Hurdy Gurdy Man - Duo-Art D906 | Eugene Goossens, Peter Phillips | C Major | 1 | 8B | 66 BPM | ||
| Kasko | Chicco Birds | B♭ Minor | 0 | 3A | 75 BPM | ||
| Urban Jazz Nights | Work & Jazz | C Minor | 0 | 5A | 81 BPM | ||
| Beautiful Love | Teres | D Major | 0 | 10B | 131 BPM | ||
| Postlude / Elegiac Lament for Departed Youth | Vasilis Bakopoulos, Effie Agrafioti | B♭ Major | 0 | 6B | 47 BPM | ||
| Romance in G Major | Max Reger, Karl Leister, Ferenc Bognar | G Major | 0 | 9B | 106 BPM | ||
| Abdelazer, Incidental Music, Z. 570: II. Rondeau (Arr. for Saxophone Quartet) | Henry Purcell, Ferio Saxophone Quartet | D Minor | 2 | 7A | 105 BPM | ||
| Bach, JS: Violin Sonata No. 1 in G Minor, BWV 1001: IV. Presto (Transcr. for Trumpet) | Johann Sebastian Bach, Lucienne Renaudin Vary | A♭ Major | 2 | 4B | 103 BPM | ||
| Vamo Alla Flamenco (From "Final Fantasy IX") | Animalisa Keys, Pablo Enver | A♭ Major | 0 | 4B | 133 BPM | ||
| Improvisation et caprice: I. Improvisation | Eugène Bozza, Jean-Pierre Baraglioli | C Major | 1 | 8B | 127 BPM | ||
| Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Sima | A Major | 0 | 11B | 108 BPM | ||
| Last Tango in Coonabarrabran | Richard Percival, Paul Dean, Kevin Power | D Minor | 1 | 7A | 135 BPM | ||
| 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM | ||
| A Musical Snuff Box, Op. 32 | Anatoly Lyadov, 藤井一興 | A Major | 3 | 11B | 132 BPM | ||
| Thaïs: Méditation - Arranged for Flute and Piano by Anete Toča | Jules Massenet, Anete Toča, Mārtiņš Zilberts | D Major | 1 | 10B | 137 BPM | ||
| Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Luca Sacher | E Minor | 0 | 9A | 140 BPM | ||
| Romance for Horn and Piano | Anatol Turcanu, Dan Turcanu, Isabelle Roelofs | E♭ Major | 0 | 5B | 86 BPM | ||
| At the Core | Jorisu Kanzaki | A♭ Major | 0 | 4B | 133 BPM | ||
| Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM | ||
| Syrinx (Arr. J.M. Londeix) | Claude Debussy, Gerard McChrystal | E Minor | 3 | 9A | 164 BPM |