"The Perfect Algorithm" by Anthony Willis had its release date on January 6, 2023. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. The Perfect Algorithm's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anthony Willis's "M3gan (Original Motion Picture Soundtrack)" album is number 6 out of 29. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Perfect Algorithm's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Perfect Algorithm by Anthony Willis to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| An Ending | Mark Ronson, Andrew Wyatt | D♭ Major | 5 | 3B | 115 BPM | ||
| Concluding Words | Christopher Willis | C Major | 1 | 8B | 72 BPM | ||
| Sagana | Rupert Gregson-Williams | D Minor | 0 | 7A | 120 BPM | ||
| Lost In Darkness And Distance | Amelia Warner | F Major | 3 | 7B | 106 BPM | ||
| Making Moonlight | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| The Whole World Was Ready To Return | Daniel Hart | F Minor | 3 | 4A | 66 BPM | ||
| County Hall | Emilie Levienaise-Farrouch | C Major | 0 | 8B | 75 BPM | ||
| M3GAN | Grim Delarosa, Jenna Davis, Anthony Willis, André Popp | B Minor | 4 | 10A | 124 BPM | ||
| What Are Days For? | Anne Nikitin, Jessica Jones, Tim Morrish | C Major | 2 | 8B | 79 BPM | ||
| Love Poems | Paul Leonard-Morgan | A Minor | 2 | 8A | 180 BPM | ||
| NFI'D | Anthony Willis, London Contemporary Orchestra | D Major | 0 | 10B | 87 BPM | ||
| That is not you, Elisabeth | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | D Major | 3 | 10B | 49 BPM | ||
| In Good Hands | Drum & Lace | G Major | 1 | 9B | 74 BPM | ||
| Rewriting History | Jon Opstad | G Major | 1 | 9B | 166 BPM | ||
| Knives Out!, Pt. II (The Will) | Nathan Johnson | G Major | 3 | 9B | 113 BPM | ||
| Variation 15 | Benjamin Wallfisch, Edward Elgar | E♭ Major | 2 | 5B | 96 BPM | ||
| A Brief History of Time | Jóhann Jóhannsson | D Major | 1 | 10B | 94 BPM | ||
| Defending Jacob Theme (Extended Version) | Ólafur Arnalds | B Minor | 3 | 10A | 130 BPM | ||
| The Mother | Dan Romer, Benh Zeitlin | D Major | 2 | 10B | 140 BPM | ||
| Farewell to Gwen | Rohan Stevenson | B♭ Minor | 1 | 3A | 67 BPM | ||
| A Message From Oregon | Anthony Willis | A Minor | 0 | 8A | 42 BPM | ||
| Bruce's Dream (Bonus Track) | Anthony Willis | F Major | 0 | 7B | 124 BPM | ||
| Epilogue Part II | Kevin Kiner | E Minor | 1 | 9A | 47 BPM | ||
| Gravity Swallows Light | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Fire Temple | Bobby Krlic | F♯ Major | 3 | 2B | 81 BPM |