"A Message From Oregon" by Anthony Willis had its release date on January 6, 2023. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Anthony Willis's "M3gan (Original Motion Picture Soundtrack)" album is number 2 out of 29. On top of that, United States appears to be the country where this track was created. A Message From Oregon is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Message From Oregon by Anthony Willis to be Grave (very slow) because the track has a tempo of 42 BPM, a half-time of 21BPM, and a double-time of 84 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Have Proof | Harry Gregson-Williams, Rupert Gregson-Williams | F♯ Minor | 2 | 11A | 170 BPM | ||
| The Dean at Forrest | Anthony Willis | G Minor | 1 | 6A | 61 BPM | ||
| Bad Boys Equal Bad Men | Anthony Willis | F Major | 0 | 7B | 124 BPM | ||
| Nandor Fodor Main Theme | Bill Prokopow | G Minor | 3 | 6A | 88 BPM | ||
| Attachment Theory | Anthony Willis | F Major | 0 | 7B | 124 BPM | ||
| What Are You Thinking About? | Son Lux | C Major | 1 | 8B | 178 BPM | ||
| Memories Of Father In Harlem | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| Bruce's Dream (Bonus Track) | Anthony Willis | F Major | 0 | 7B | 124 BPM | ||
| The Stranger | Bear McCreary | C Major | 1 | 8B | 150 BPM | ||
| Waterfall | Anna Meredith | B Minor | 1 | 10A | 88 BPM | ||
| The Death of Democracy | Paul Leonard-Morgan | G Major | 1 | 9B | 134 BPM | ||
| Dimming - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | F Minor | 0 | 4A | 180 BPM | ||
| Marionette | Alexis Grapsas | F♯ Major | 0 | 2B | 90 BPM | ||
| Let's Get Married | Keegan DeWitt, Leah Zeger | B Major | 2 | 1B | 148 BPM | ||
| Those Aren't Toys | Anthony Willis | A Minor | 0 | 8A | 42 BPM | ||
| A Legal Redemption | Anthony Willis | D Minor | 1 | 7A | 77 BPM | ||
| Sagana | Rupert Gregson-Williams | D Minor | 0 | 7A | 120 BPM | ||
| If You Leave Something Behind | Christopher Bear, Daniel Rossen | A♭ Minor | 2 | 1A | 31 BPM | ||
| Fairground | Joby Talbot | D♭ Minor | 2 | 12A | 94 BPM | ||
| San Miguel | Jordan Seigel | G Major | 0 | 9B | 136 BPM | ||
| Eight Thousand Layers | Christopher Bear, Daniel Rossen | D♭ Major | 2 | 3B | 88 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| Starry Night Over The Rhone | Clint Mansell | D Major | 2 | 10B | 106 BPM | ||
| A Lowly Shoe Salesman | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| The Room of Hidden Things | Alexander Horowitz, Hogwarts Legacy | D Minor | 0 | 7A | 137 BPM |