"Bad Boys Equal Bad Men" by Anthony Willis had its release date on January 6, 2023. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Bad Boys Equal Bad Men's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anthony Willis's "M3gan (Original Motion Picture Soundtrack)" album is number 14 out of 29. On top of that, United States appears to be the country where this track was created. Based on our statistics, Bad Boys Equal Bad Men's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bad Boys Equal Bad Men by Anthony Willis to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Fall Into Disgrace | Christopher Willis | G Minor | 3 | 6A | 0 BPM | ||
| You're so Real | Anthony Willis, London Contemporary Orchestra | B♭ Minor | 1 | 3A | 110 BPM | ||
| Love Poems | Paul Leonard-Morgan | A Minor | 2 | 8A | 180 BPM | ||
| Eric's Calling | Oli Julian | D Minor | 1 | 7A | 71 BPM | ||
| The Blessing | Bobby Krlic | D♭ Major | 3 | 3B | 72 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Van Rhijn House | Harry Gregson-Williams, Rupert Gregson-Williams | D Major | 2 | 10B | 75 BPM | ||
| The Night We Met | Joseph Trapanese | D Minor | 0 | 7A | 87 BPM | ||
| Maria's Sacrifice | Christian Henson | G Major | 3 | 9B | 80 BPM | ||
| Train Escape | Daniel Pemberton | A♭ Major | 4 | 4B | 75 BPM | ||
| The Last Smile | Joe Hisaishi | E Minor | 4 | 9A | 130 BPM | ||
| The Music Comes From the Heavens | Peter Gregson | B♭ Major | 1 | 6B | 138 BPM | ||
| Prisoners | Jóhann Jóhannsson | C Minor | 2 | 5A | 89 BPM | ||
| Slot Canyon | Trevor Gureckis | F♯ Major | 3 | 2B | 74 BPM | ||
| Bad Boys Equal Bad Men | Anthony Willis | F Major | 0 | 7B | 124 BPM | ||
| Starry Night Over The Rhone | Clint Mansell | D Major | 2 | 10B | 106 BPM | ||
| To Mellors | Isabella Summers | C Major | 2 | 8B | 69 BPM | ||
| Fly Me Home (Kelly and Cole) | Daniel Pemberton | C Major | 2 | 8B | 141 BPM | ||
| Talk About Something | Anne Nikitin, Jessica Jones, Tim Morrish | A♭ Major | 0 | 4B | 140 BPM | ||
| County Hall | Emilie Levienaise-Farrouch | C Major | 0 | 8B | 75 BPM | ||
| Things To Really Care About | Alexis Grapsas, Philip Klein | E Major | 1 | 12B | 56 BPM | ||
| Making Moonlight | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Standing Prayer | Carter Burwell | C Major | 4 | 8B | 83 BPM | ||
| Dreams | Pinar Toprak | D Major | 3 | 10B | 134 BPM | ||
| A Shared Bathroom/ Inconsistent Stories | Anthony Willis, London Contemporary Orchestra | B♭ Minor | 1 | 3A | 110 BPM |