"Homework Suite: Berceuse" by Gordon Getty, Academy of St. Martin in the Fields, Sir Neville Marriner had its release date on February 1, 2010. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Homework Suite: Berceuse's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gordon Getty, Academy of St. Martin in the Fields, Sir Neville Marriner's "Getty: Orchestral Works" album is number 17 out of 20. On top of that, Netherlands appears to be the country where this track was created. Homework Suite: Berceuse is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Homework Suite: Berceuse by Gordon Getty, Academy of St. Martin in the Fields, Sir Neville Marriner to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson: 3. Carol | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 80 BPM | ||
| Lobgesang. Symphony no. 2 op. 52: Allegretto un poco agitato | Felix Mendelssohn, Jan Willem de Vriend, Netherlands Symphony Orchestra | B♭ Major | 1 | 6B | 90 BPM | ||
| The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
| Gianni Schicchi: O mio babbino - Arr. For Horn and Orchestra by Wolfgang Renz | Giacomo Puccini, Felix Klieser, I Solisti di Pavia | A Major | 0 | 11B | 168 BPM | ||
| A Song before Sunrise | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Montgomery Variations: V. One Sunday in the South | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | ||
| Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | A♭ Major | 0 | 4B | 113 BPM | ||
| カプリオール組曲: V. Pieds-en-l'air | Peter Warlock, 石田組 | G Major | 1 | 9B | 114 BPM | ||
| Variations on a Theme by C.H., Op. 57: Var. 11. Quasi Fantasia – Lento | Xaver Scharwenka, Seta Tanyel | D♭ Minor | 0 | 12A | 75 BPM | ||
| Clarinet Concertino: II. Toada. Andantino non troppo | Francisco Mignone, Ovanir Buosi, Orquestra Sinfônica do Estado de São Paulo, Giancarlo Guerrero | C Major | 2 | 8B | 144 BPM | ||
| Grieg: 2 Elegiac Melodies, Op. 34: No. 1, The Wounded Heart (Orchestral Version) | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 87 BPM | ||
| Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 67 BPM | ||
| Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
| 夢のあとに | 小島妙子, 徳永兼一郎 | F Minor | 3 | 4A | 87 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
| 2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| Two Swans for Cello, Clarinet and Orchestra after "The Swan" from "The Carnival of the Animals", R. 125 | Camille Saint-Saëns, Daniel Ottensamer, Stephan Koncz | A Minor | 0 | 8A | 81 BPM | ||
| 3 Romances, Op. 22: I. Andante molto | Clara Schumann, Cédric Tiberghien, Alina Ibragimova | A Major | 1 | 11B | 87 BPM | ||
| Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | ||
| String Symphony No. 5 in B-Flat Major, MWV N5: II. Andante | Felix Mendelssohn, English String Orchestra, William Boughton | G Major | 0 | 9B | 83 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| A Chloris (Arr. For Cor Anglais & Orchestra) | Reynaldo Hahn, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | E Major | 0 | 12B | 87 BPM | ||
| L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Sheep May Safely Graze (Arr. for Orchestra by John Rutter) | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM |