A Chloris (Arr. For Cor Anglais & Orchestra) by Reynaldo Hahn, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius Song Details

"A Chloris (Arr. For Cor Anglais & Orchestra)" by Reynaldo Hahn, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius had its release date on January 1, 2010. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 17 in Bonjour Paris by Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius. A Chloris (Arr. For Cor Anglais & Orchestra) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of A Chloris (Arr. For Cor Anglais & Orchestra) by Reynaldo Hahn, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 31%
Loudness: -26.636 dB
Acousticness: 97%
Danceability: 18%
Energy: 4%
Instrumentalness: 96%
Liveness: 10%
Loudness: 56%
Speechiness: 4%
Valence: 7%

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