"Paganini: 24 Caprices, Op. 1: No. 14 in E-Flat Major" by Niccolò Paganini, Augustin Hadelich had its release date on January 12, 2018. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Paganini: 24 Caprices, Op. 1: No. 14 in E-Flat Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices, Op. 1". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Paganini: 24 Caprices, Op. 1: No. 14 in E-Flat Major is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Paganini: 24 Caprices, Op. 1: No. 14 in E-Flat Major by Niccolò Paganini, Augustin Hadelich having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Csardas: Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 170 BPM | ||
| The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | E Major | 0 | 12B | 87 BPM | ||
| Paganiniana, Variations for Solo Violin | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
| Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
| Vier Jahreszeiten - Winter - I. Allegro non molto | I Solisti di Zagreb, Alexander Perovsky | F Minor | 1 | 4A | 144 BPM | ||
| Le nozze di Figaro, K. 492: Sinfonia | Wolfgang Amadeus Mozart, René Jacobs, Concerto Köln | D Major | 1 | 10B | 142 BPM | ||
| Violin Concerto No. 4 In D Minor, MS 60: I. Allegro Maestoso | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | D Minor | 1 | 7A | 121 BPM | ||
| Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
| Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
| Violin Concerto No. 5 in A Minor, MS 78: III. Rondo. Andantino quasi allegretto (Ed. M. Quarta) | Niccolò Paganini, Ivan Pochekin, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Minor | 2 | 8A | 101 BPM | ||
| Hungarian Dance No. 5 | Johannes Brahms, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | G Minor | 2 | 6A | 111 BPM | ||
| The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
| Concerto Grosso in A Minor for Two Violins, Op. 3 No. 8: Allegro | David Oistrakh, Igor Oistrakh | A Minor | 2 | 8A | 96 BPM | ||
| Violin Concerto No. 3 in G Minor, Op. 12: I. Allegro risoluto | Friedrich Seitz, Hyejin Chung, Warren Lee | B♭ Major | 1 | 6B | 104 BPM | ||
| Tarantelle, Op. 23 | William Henry Squire, Oliver Gledhill, Tadashi Imai | D Major | 1 | 10B | 141 BPM | ||
| Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | ||
| 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 1 in G Minor | Johannes Brahms, Baiba Skride, Lauma Skride | D Major | 2 | 10B | 129 BPM | ||
| Carmen Concert Fantasy, Op. 25: I. Introduction. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Minor | 1 | 7A | 107 BPM | ||
| The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | ||
| Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 6, Waltz | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Symphoniker | G Major | 2 | 9B | 131 BPM | ||
| Capriccio Tarantella | David Garrett | A Minor | 6 | 8A | 200 BPM | ||
| Csárdás | Vittorio Monti, Marina Marsden, Clemens Leske | D Major | 2 | 10B | 144 BPM | ||
| Novacek: 8 Concert Caprices for Violin and Piano, Op. 5: IV. Perpetuum mobile in D Minor (Vivace non troppo) | Ottokar Novácek, Itzhak Perlman, Samuel Sanders | D Minor | 4 | 7A | 179 BPM | ||
| Sonata for Solo Cello, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Massimiliano Martinelli | D Minor | 2 | 7A | 94 BPM | ||
| Hungarian Dance No. 7 | Johannes Brahms, Jascha Heifetz, Alfred Wallenstein, Los Angeles Philharmonic | A Major | 1 | 11B | 66 BPM |