"Umi e (Toward the Sea): III - Cape Cod" by Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble had its release date on October 18, 2003. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Takemitsu: Toward the Sea / Rain Tree / Rain Spell / Bryce". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Umi e (Toward the Sea): III - Cape Cod is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Umi e (Toward the Sea): III - Cape Cod by Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Estrellita (Arr. Campbell for Violin, Guitar, Accordion & Cello) | Manuel Ponce, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato | Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | A Minor | 1 | 8A | 92 BPM | ||
| Orpheus, Scene I: Lento sostenuto | London Symphony Orchestra, Robert Craft | A Minor | 2 | 8A | 83 BPM | ||
| Opening Credits (Main Title) | Toru Takemitsu | F Major | 1 | 7B | 125 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| More Gordian Knots (Version for Woodwind Ensemble): III. Jig | Guy Woolfenden, Czech Philharmonic Wind Ensemble, Shea Lolin | G Minor | 2 | 6A | 68 BPM | ||
| Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Turangalîla-Symphonie: IV. Chant d'amour 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| String Quartet, M. 35: I. Allegro moderato, très doux | Maurice Ravel, Quartetto Italiano | D Major | 2 | 10B | 89 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
| Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepāja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
| Suite in Jazz Style: II. Nocturnal | Dobrinka Tabakova, Maxim Rysanov, Dasol Kim | D♭ Minor | 0 | 12A | 86 BPM | ||
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | A Minor | 0 | 8A | 65 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
| イエスよ、私は主の名を呼ぶ BWV639 | Meiko Miyazawa | F Minor | 0 | 4A | 128 BPM | ||
| Das alte Jahr vergangen ist, BWV 614: Hommage à Reinbert de Leeuw | Johann Sebastian Bach, Márta Kurtág, György Kurtág | C Major | 0 | 8B | 54 BPM | ||
| The Pacific Has No Memory | Eric Whitacre, Anne Akiko Meyers, Orpheus Chamber Orchestra | B Minor | 1 | 10A | 91 BPM | ||
| Lieux retrouvés: III. Les champs | Thomas Adès, Steven Isserlis | F♯ Major | 0 | 2B | 144 BPM | ||
| I'll Bid My Heart Be Still (Version for Cello & Piano) | Rebecca Clarke, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 60 BPM | ||
| Takemitsu: Air | Toru Takemitsu, Emmanuel Pahud | D♭ Minor | 0 | 12A | 108 BPM | ||
| Concierto para Piano y Orquesta No. 2, "de los Lienzos Olvidados": I. Evanescente - Live | Ramón Paus, Eduardo Fernandez, Orquesta de Extremadura, Iván López Reynoso | C Major | 1 | 8B | 119 BPM | ||
| Elegy for English Horn, Harp & String Orchestra | Peter Boyer, Christine Pendrill, Bryn Lewis, London Symphony Orchestra | A Minor | 1 | 8A | 98 BPM | ||
| Játékok / 5.: 14. Preludium és Korál | György Kurtág | B Major | 0 | 1B | 76 BPM | ||
| Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM |