Rajkot Gurukul's ' "Narayanopanishad" was released on its scheduled release date, June 1, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Sandhya Vandan". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. Narayanopanishad is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Narayanopanishad by Rajkot Gurukul having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paalne Me Jhule Nand Lala | Prem Prakash Dubey | A Minor | 8 | 8A | 150 BPM | ||
| Vrajvasina Vhala Shreejibava | Dr. Dipali Bhatt | D♭ Minor | 5 | 12A | 80 BPM | ||
| Man Se Banyihe Re Maliya | Gopal Rai | B♭ Minor | 9 | 3A | 134 BPM | ||
| Krishan Janam Sohar | Devendra Pathak | E♭ Minor | 4 | 2A | 132 BPM | ||
| 12 Jyotirlinga Special Bhajan | Devashri Golambare, Sandeep Raut | G Minor | 7 | 6A | 105 BPM | ||
| Nirakhane Ganganamaan | Ashit Desai & Group | D♭ Major | 2 | 3B | 144 BPM | ||
| Rangai Jaane Rang Ma | Rekha Trivedi, Kirti Punekar | B♭ Minor | 5 | 3A | 100 BPM | ||
| Mara Ghatma Birajata Hanumanji (Male Version) | Salangpur Hanumanji - Official | F Minor | 8 | 4A | 82 BPM | ||
| Mandir Aavo Manigar | Rajkot Gurukul | E♭ Minor | 6 | 2A | 76 BPM | ||
| Hanuman Ashtak | Manoj Mishra, Railhan Studios, Dinesh Railhan | F Major | 8 | 7B | 88 BPM | ||
| Mithe Ras Se Bharyo Re Radha | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | F♯ Major | 7 | 2B | 93 BPM | ||
| Avo Maliye | Rajkot Gurukul | B Minor | 7 | 10A | 114 BPM | ||
| LAD LADAVO LALANE | Nidhi Dholkia | A♭ Major | 7 | 4B | 140 BPM | ||
| Meru To Daga Pan Jena Mann Na Dage | Poonam Barot | C Major | 7 | 8B | 105 BPM | ||
| Dada Kashtbhanjan Mari Vare Vela Aavo | Lalita Ghodadra, Arvind Barot | B Minor | 10 | 10A | 107 BPM | ||
| Ashirwad Mantra 1 | Rajkot Gurukul | E Major | 5 | 12B | 133 BPM | ||
| Maa Ke Naam Ki Sanjivani | Shahnaz Akhtar | C Major | 4 | 8B | 170 BPM | ||
| Tune Ajab Racha Bhagwan Khilona Maati Ka | Isha, Muskan, Shital, Annu, Manisha | D♭ Major | 7 | 3B | 95 BPM | ||
| Ora Aavo Shyam | Harikrishna Patel | A Minor | 6 | 8A | 94 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Bhu Suktam | Rajkot Gurukul | E Major | 5 | 12B | 133 BPM | ||
| Ek Bar Jana Hai Jana Sai Ki Nagariya | Paras Jain | F♯ Major | 9 | 2B | 122 BPM | ||
| Ghar Pe Padharo Gajanan Ji | Varsha Shrivastava | D♭ Major | 7 | 3B | 90 BPM | ||
| MATHURA MA SHRINATHJI | Bhaskar Sukal | D♭ Major | 6 | 3B | 78 BPM | ||
| Guru Gunn Ekkisa Rajendra Suri Mohankheda | Narendra salecha | B♭ Minor | 5 | 3A | 73 BPM |