On November 7, 2022, the song "Tumse Lagi Lagan" was released by Rajendra Jain, Tripti Shkya, Meena. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 21 in Bhaktamar Stotram & Jinwani Sangrah by Rajendra Jain, Tripti Shkya, Meena. Going off of the ISRC code of this track, we detected that the origin of this track is from South Africa. In terms of popularity, Tumse Lagi Lagan is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Tumse Lagi Lagan by Rajendra Jain, Tripti Shkya, Meena is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tumse Lagi Lagan | Rajendra Jain, Tripti Shkya, Meena | G Major | 9 | 9B | 106 BPM | ||
| Ramkrishna Namer Tari | Mahesh Ranjan Shome | E♭ Minor | 6 | 2A | 80 BPM | ||
| Mon Tui Morli | Manna Dey | B♭ Major | 5 | 6B | 97 BPM | ||
| Damodar Ashtakam | Varsha Shrivastava | F Minor | 5 | 4A | 85 BPM | ||
| Sakhi Ri Mohe Laaj Bairan Bhayi | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| Banki bihari jay ho tumari | shradey shri mridul krishna shashtri ji maharaj | F♯ Major | 6 | 2B | 82 BPM | ||
| Chaubis Deepon Ke Thaal | Rajendra Jain, Hemanti Sukla | A♭ Major | 3 | 4B | 104 BPM | ||
| Om Shiv Omkara | Sarita Joshi | F Major | 4 | 7B | 94 BPM | ||
| Jagore Nogorbashi | Apily Dutta Bhowmick | E♭ Major | 6 | 5B | 116 BPM | ||
| Bhimrupi Maharudra Stotra | Sameer Vijaykumar | D♭ Major | 4 | 3B | 163 BPM | ||
| Samba Sada Shiva (feat. Chorus) | Pandit Eshwer Persaud, Chorus | D♭ Major | 6 | 3B | 88 BPM | ||
| Dayar Sagar Lokenath | Mahesh Ranjan Shome | E♭ Major | 5 | 5B | 149 BPM | ||
| Kaate Kasht Poore Gurdev | Bhai Harpreet Singh ji nawanshahr wale | B Minor | 8 | 10A | 138 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Ambe Maa Ki Aarti | ARCHANA PARMAR | D Major | 6 | 10B | 95 BPM | ||
| Aarti Gyanraja | Ajeet Kumar Kadkade | A♭ Major | 7 | 4B | 104 BPM | ||
| Ke Tumi Bajale Nabin | Mahesh Ranjan Shome | F♯ Minor | 5 | 11A | 175 BPM | ||
| San Gauri Ganpaticha | Neha Rajpal, Sachidanand Aappa | G Major | 7 | 9B | 105 BPM | ||
| Shiv Manas Puja | Naynesh Jani | C Major | 3 | 8B | 132 BPM | ||
| Krishna Govind Gopal | Anil Hanslas | F Major | 6 | 7B | 146 BPM | ||
| Mata Rani Teri Jay Jay Kar | Anil Hanslas | B Major | 6 | 1B | 80 BPM | ||
| Jo Mere Pritam Se Preet Kare | Satsangee, Subhabrata Mandal | E Major | 2 | 12B | 130 BPM | ||
| Aao Gajaanan Aao | Tarannum Malik Jain, Abhinay Jain, Rajendra Jain | D♭ Minor | 4 | 12A | 111 BPM | ||
| Akhand Radheykrishna Dhun | Mannraj Parihar | E Major | 6 | 12B | 100 BPM |