Francesco da Milano, Frank Wallace's 'Ricercar No. 1' had a release date set for January 1, 1991. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Ricercar No. 1's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vocal and Lute Music (16Th Century Spanish) - Narvaez, L. De / Milano, F. Da / Milan, L. De / Mudarra, A. De / Valderrabano, A. De (Ay De Mi) by Frank Wallace. The song's track number on the album is #10 out of 31 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Ricercar No. 1's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Ricercar No. 1 by Francesco da Milano, Frank Wallace has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Ricercar No. 1 being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dowland's Tears (Arr. N. North of I Saw My Lady Weep) | Nigel North | D♭ Major | 1 | 3B | 128 BPM | ||
| Alma redemptoris mater | Johannes Ockeghem, Harmonia Recorder Ensemble | F Major | 0 | 7B | 70 BPM | ||
| Lute Sonata in C Minor, Op. 1, No. 1: II. Allegro un poco | Adam Falckenhagen, Andrew Maginley | B Major | 2 | 1B | 84 BPM | ||
| Da Ripa : Part III: Nunc Mater exora natum | Heringman | A Major | 0 | 11B | 96 BPM | ||
| Suite for 2 Lutes in Bb (Baron) - Allemande | Edward Martin and Paul Berget | A Major | 1 | 11B | 95 BPM | ||
| Qué mayor desventura | Antonio de Contreras, Música Temprana, Adrian Rodriguez van der Spoel | A Minor | 0 | 8A | 118 BPM | ||
| Terpsichore*: Pavane de Spaigne | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 117 BPM | ||
| Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
| Lute Sonata No. 11 in D Minor: III. Courante | Silvius Leopold Weiss, Robert Barto | C Major | 1 | 8B | 98 BPM | ||
| Canto VII, Fiduciosa fortuna: Nous bergières | Francesco da Milano, Xavier Diaz-Latorre | A Minor | 1 | 8A | 71 BPM | ||
| De Fuenllana : Christe | Heringman | A Minor | 0 | 8A | 62 BPM | ||
| Zarabanda detta la favorita | Giovanni Paolo Foscarini, Private Musicke | F Major | 1 | 7B | 145 BPM | ||
| Ricercar No. 1 | Francesco da Milano, Frank Wallace | E♭ Minor | 0 | 2A | 135 BPM | ||
| Courante sur 'J'avois brisè mes fers' | Jacques Gaultier, Paul O'Dette | A Major | 1 | 11B | 69 BPM | ||
| Passingmeasures Pavan | John Johnson, Christopher Wilson | F Minor | 0 | 4A | 128 BPM | ||
| Fantasia | Miguel de Fuenllana, Circa 1500 | F Major | 0 | 7B | 109 BPM | ||
| Early Elizabethan Music: Anthony Pavyn, A Downe, Chi Passa, Dump Philli | Paul O'Dette | C Major | 0 | 8B | 87 BPM | ||
| Suite in D minor: Sarabande | Israel Golani | F♯ Minor | 1 | 11A | 115 BPM | ||
| Thomas Robinson: Lantero, The Spanish Pavin, Robin Is To The Greenwood Gone | Paul O'Dette | A♭ Minor | 0 | 1A | 119 BPM | ||
| Lute Sonata No. 11 in D Minor: V. Sarabande | Silvius Leopold Weiss, Robert Barto | D♭ Minor | 0 | 12A | 120 BPM | ||
| Recercada No. 1 | Diego Ortiz, Munir Beken, August Denhard | C Major | 2 | 8B | 141 BPM | ||
| Acceso mio cuore (Ciaconna) | Francesco Manelli, Capella De La Torre, Katharina Bauml | C Major | 0 | 8B | 109 BPM | ||
| Ferita d’Amore Gagliarda | Bellerofonte Castaldi, Albane Imbs | F♯ Major | 2 | 2B | 137 BPM | ||
| Contrappunto Primo B.M. | Vincenzo Galilei, Massimo Lonardi | F Major | 0 | 7B | 137 BPM | ||
| Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM |