- BPM
- 114
- Key
- B♭ Major
- Camelot
- 6B
The Rite of Spring, K. 15: II. Tableau II "The Sacrifice": No. 10. Mystic Circles of the Young Girls. Andante con moto: Più mosso by Igor Stravinsky, Budapest Festival Orchestra, Iván Fischer Song Details
Igor Stravinsky, Budapest Festival Orchestra, Iván Fischer's 'The Rite of Spring, K. 15: II. Tableau II "The Sacrifice": No. 10. Mystic Circles of the Young Girls. Andante con moto: Più mosso' had a release date set for January 1, 2012. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Stravinsky: Rite of Spring, Firebird Suite, Scherzo, Tango". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, The Rite of Spring, K. 15: II. Tableau II "The Sacrifice": No. 10. Mystic Circles of the Young Girls. Andante con moto: Più mosso is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With The Rite of Spring, K. 15: II. Tableau II "The Sacrifice": No. 10. Mystic Circles of the Young Girls. Andante con moto: Più mosso by Igor Stravinsky, Budapest Festival Orchestra, Iván Fischer having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -22.82 dB
- Acousticness
- 92%
- Danceability
- 41%
- Energy
- 23%
- Instrumentalness
- 77%
- Liveness
- 52%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 28%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | B Major | 0 | 1B | 78 BPM | |
 | Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | |
 | The Rite of Spring: Part One: Adoration of the Earth: Games of the Rival Tribes | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 4 | 9B | 80 BPM | |
 | Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | |
 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | |
 | Symphony No. 2 in B Minor: IV. Finale | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D Major | 1 | 10B | 129 BPM | |
 | The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | |
 | Mathis der Maler Symphony: II. Grablegung | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | A♭ Minor | 0 | 1A | 87 BPM | |
 | Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | |
 | String Quartet No. 8 in C Minor, Op. 110: III. Allegretto | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | |
 | Sinfonietta, JW VI/18: II. The Castle, Brno. Andante – Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A♭ Minor | 2 | 1A | 144 BPM | |
 | Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | |
 | Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace) | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | B♭ Major | 2 | 6B | 82 BPM | |
 | The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | C Major | 7 | 8B | 91 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | |
 | Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 83 BPM | |
 | Petrouchka: Fête populaire de la semaine grasse | Ferenc Fricsay, Berliner Philharmoniker | B♭ Major | 5 | 6B | 73 BPM | |
 | Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM | |
 | Romeo and Juliet Suite No. 3, Op. 101: VI. The Death of Juliet | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | C Major | 0 | 8B | 129 BPM | |
 | La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | |
 | The Rake's Progress, Act III Scene 1: Duet. You love him, seek to set him right… (Baba, Anne, Sellem, Chorus) | Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft | F Major | 1 | 7B | 71 BPM | |
| Japanese Suite, Op. 33, H. 126: VI. Finale. Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | |
 | Violin Concerto in D Major, Op. 35: II. Romanze. Andante | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 0 | 9B | 86 BPM | |
| The Rake's Progress, Act I Scene 3: Aria. Quietly, night… (Anne) | Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft | E Minor | 1 | 9A | 119 BPM |
- ISRC
- NLA460911997
- Label
- L-M Records/RCA Records