- BPM
- 83
- Key
- C Minor
- Camelot
- 5A
Interior, Woman Cooking by William Marsey, George Xiaoyuan Fu Song Details
"Interior, Woman Cooking" by William Marsey, George Xiaoyuan Fu had its release date on May 28, 2021. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Interior, Woman Cooking's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Xiaoyuan Fu's "Listenpony Sessions: George Xiaoyuan Fu" album is number 3 out of 8. Interior, Woman Cooking is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Interior, Woman Cooking by William Marsey, George Xiaoyuan Fu to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -27.495 dB
- Acousticness
- 99%
- Danceability
- 35%
- Energy
- 2%
- Instrumentalness
- 92%
- Liveness
- 9%
- Loudness
- 54%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | String Quartet No. 13, 3rd Movement | Antonín Dvořák, vision string quartet | F Major | 0 | 7B | 69 BPM | |
 | Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | |
 | Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 2 | 9B | 75 BPM | |
 | Symphony No. 1, GMW 11: IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 1 | 11B | 81 BPM | |
 | Galactic Silence | Astrid Voix | F Major | 0 | 7B | 69 BPM | |
 | King Kristian II, Op. 27: III. Musette | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Minor | 3 | 8A | 70 BPM | |
 | Ballard Justice | Valen Rosset | F Major | 0 | 7B | 69 BPM | |
 | Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | |
 | Doctor - Live | William Marsey, Laefer Quartet | B Minor | 0 | 10A | 104 BPM | |
 | Clarinet Sonata No. 2, Op. 120 No. 2: I. Allegro amabile | Johannes Brahms, Nicola Boud, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM | |
 | Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | |
 | Romeo and Juliet, Op. 64, Act I: No. 10, The Young Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 0 | 7B | 69 BPM | |
 | Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | |
 | Le sacre du printemps / Pt. 2: Le sacrifice: X. Cercles mysteriéux des adolescentes | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 1 | 4A | 84 BPM | |
 | Eine Alpensinfonie, Op. 64, TrV 233: I. Nacht | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | F Major | 0 | 7B | 83 BPM | |
 | Eine Alpensinfonie, Op. 64, TrV 233: II. Sonnenaufgang | Richard Strauss, Andrés Orozco-Estrada, Hr-sinfonieorchester | A Major | 4 | 11B | 175 BPM | |
 | Sibelius: King Christian II Suite, Op. 27: III. Musette | Jean Sibelius, Scottish National Orchestra/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra | E Minor | 1 | 9A | 77 BPM | |
 | String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | |
 | Da Da DDD | Mike Bish | G Major | 0 | 9B | 110 BPM | |
| Eine Alpensinfonie, Op. 64, TrV 233: XIX. Gewitter und Sturm, Abstieg | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | B♭ Minor | 5 | 3A | 79 BPM | |
 | Pelléas et Mélisande Suite, Op. 80: II. Fileuse | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 0 | 9B | 88 BPM | |
 | Die Kommissarin (The Commissar): Spaziergange d. Wawilowa durch die Stadt | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | E Minor | 0 | 9A | 73 BPM | |
 | Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | |
 | The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | |
 | The Patronages: 3 | William Marsey, Cecilia Bignall, Joseph Havlat | C Major | 1 | 8B | 114 BPM |
- ISRC
- QM6MZ2156370
- Label
- L-M Records/RCA Records