Richard Wagner, Robert Dean Smith, Nina Stemme, Christian Gerhaher, Marek Janowski, Rundfunk-Sinfonieorchester Berlin's ' "Tannhäuser, WWV 70, Act II: Den Gott der Liebe sollst du preisen! (Tannhäuser, Elisabeth, Wolfram)" was released on its scheduled release date, January 1, 2013. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Tannhäuser by Richard Wagner, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin, Robert Dean Smith, Nina Stemme, Marina Prudenskaya, Christian Gerhaher. The song's track number on the album is #3 out of 37 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Tannhäuser, WWV 70, Act II: Den Gott der Liebe sollst du preisen! (Tannhäuser, Elisabeth, Wolfram) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Tannhäuser, WWV 70, Act II: Den Gott der Liebe sollst du preisen! (Tannhäuser, Elisabeth, Wolfram) by Richard Wagner, Robert Dean Smith, Nina Stemme, Christian Gerhaher, Marek Janowski, Rundfunk-Sinfonieorchester Berlin has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tannhäuser, WWV 70, Act II: Den Gott der Liebe sollst du preisen! (Tannhäuser, Elisabeth, Wolfram) being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade in B flat, K.361 "Gran partita": 3. Adagio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner | E♭ Major | 4 | 5B | 89 BPM | ||
| Eugene Onegin, Op. 24: Act III Scene 1: Polonaise | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 3 | 7B | 88 BPM | ||
| Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile, con alcuna licenza | Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 72 BPM | ||
| The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
| Parsifal: Prelude to Act I | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | A♭ Major | 0 | 4B | 140 BPM | ||
| Suppé: Leichte Kavallerie: Ouvertüre | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM | ||
| Requiem, Op. 89, B. 165: Introitus | Antonín Dvořák, Czech Philharmonic | B♭ Minor | 1 | 3A | 85 BPM | ||
| Verdi: Messa da Requiem: III. Tuba mirum | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 99 BPM | ||
| Sinfonietta, JW VI/18: IV. Allegretto | Leoš Janáček, Czech Philharmonic, Karel Ančerl | A♭ Major | 2 | 4B | 154 BPM | ||
| Tales from the Vienna Woods - Waltz Op. 325 | Johann Strauss II, Hallé, Bryden Thomson | F Major | 0 | 7B | 181 BPM | ||
| Les Voici! Voici La Quadrille (Carmen) | Georges Bizet, Choir and Orchestra of the Budapest State Opera | F Major | 1 | 7B | 77 BPM | ||
| Das Rheingold, Scene 1: Weia! Waga! Woge du Welle! | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 110 BPM | ||
| Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
| Carmina Burana: XXIV. Ave formosissima | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 3 | 9A | 172 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 68 BPM | ||
| Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
| Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM | ||
| III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Wiener KammerOrchester, Philippe Entremont | G Major | 1 | 9B | 87 BPM | ||
| Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
| Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 78 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): X. The Great Gates of Kyiv | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 2 | 5B | 58 BPM | ||
| Boris Godunov | Modest Mussorgsky, Yevgeny Nesterenko, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yelena Obratsova, Yuri Mazurok | D♭ Major | 2 | 3B | 133 BPM |