On January 1, 1982, the song "Nagan Sa Roop Hai Tera" was released by Mohammed Rafi, Laxmikant–Pyarelal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 6 in Baghavat by Laxmikant–Pyarelal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Nagan Sa Roop Hai Tera is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Nagan Sa Roop Hai Tera by Mohammed Rafi, Laxmikant–Pyarelal is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sapnon Ka Raja - Chalte Chalte / Soundtrack Version | Sulakshana Pandit, Shailendra Singh | A Minor | 6 | 8A | 156 BPM | ||
| Main Jaan Gayu Tujhe Saiyaan (From "Howrah Bridge") | Shamshad Begum, Mohammed Rafi | G Major | 5 | 9B | 164 BPM | ||
| Hum Barson Baad Mile | Asha Bhosle, Kishore Kumar, Laxmikant–Pyarelal | F♯ Major | 4 | 2B | 178 BPM | ||
| Karma Theme - Instrumental | Laxmikant–Pyarelal | F Minor | 6 | 4A | 167 BPM | ||
| Prem Deewane | Manhar Udhas, Kavita Krishnamurthy, Laxmikant–Pyarelal | B♭ Minor | 7 | 3A | 127 BPM | ||
| Udhar Tum Haseen Ho (From "Mr. and Mrs. 55") | Geeta Dutt, Mohammed Rafi | B Major | 4 | 1B | 161 BPM | ||
| Saudagar Sauda Kar | Manhar Udhas, Kavita Krishnamurthy, Sukhwinder Singh, Laxmikant–Pyarelal | A Major | 6 | 11B | 143 BPM | ||
| Geet Gata Chal | Jaspal Singh | A Major | 6 | 11B | 88 BPM | ||
| Hai Apna Dil To Aawara (Happy) | Hemant Kumar | F♯ Major | 5 | 2B | 110 BPM | ||
| Us Mulk Ki Sarhad Ko | Mohammed Rafi | B Minor | 8 | 10A | 89 BPM | ||
| Oopar Wale Tera Jawab Nahin | Kishore Kumar, Laxmikant–Pyarelal | A♭ Minor | 7 | 1A | 100 BPM | ||
| Mujhko Sanam Teri Kasam | Udit Narayan, Poornima | B Major | 8 | 1B | 98 BPM | ||
| Bhool To Maa Se (Sad) | Udit Narayan | A♭ Major | 6 | 4B | 99 BPM | ||
| Mohabbat Ki Ki | Suresh Wadkar, Kavita Krishnamurthy, Laxmikant–Pyarelal | C Minor | 7 | 5A | 87 BPM | ||
| Bewafa Yun Tera Muskurana | Abhijeet | B Minor | 6 | 10A | 106 BPM | ||
| Poochhe Jo Koi Mujhse | Mohammed Rafi, Laxmikant–Pyarelal | D Major | 7 | 10B | 147 BPM | ||
| Mausam Hai Gane Ka | Bappi Lahiri | F Major | 5 | 7B | 138 BPM | ||
| Ya Ilahi, Ek Haseena Ne | Madan Mohan, Mohammed Rafi | A♭ Minor | 8 | 1A | 106 BPM | ||
| Main Ek Pyaasi Kali | Kavita Krishnamurthy | A♭ Major | 5 | 4B | 128 BPM | ||
| Aajkal Tere Mere Pyar Ke Charche | Suman Kalyanpur, Mohammed Rafi | A Major | 8 | 11B | 99 BPM | ||
| Dil Ne Chaha Hai Kya | Kavita Krishnamurthy | E♭ Major | 8 | 5B | 140 BPM | ||
| Tu Is Tarah Se - Manhar Udhas | Manhar Udhas | G Major | 3 | 9B | 92 BPM | ||
| Jhir Jhir Badarwa Barse | Lata Mangeshkar, Hemant Kumar, Shailendra | A♭ Major | 4 | 4B | 130 BPM | ||
| Teri Ankhon Ki Chahat Mein | Anwar Hussain | E Major | 4 | 12B | 153 BPM | ||
| Deewane Tere Naam Ke - Jhankar Beats | Sukhwinder Singh | A♭ Major | 6 | 4B | 88 BPM |