"Rhapsody in Blue" by George Gershwin had its release date on 1993. This song appears to be safe for all ages as it is not explicit. The track order of this song in George Gershwin, Artis Wodehouse's "Gershwin Plays Gershwin: The Piano Rolls" album is number 5 out of 12. On top of that, United States appears to be the country where this track was created. Rhapsody in Blue is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rhapsody in Blue by George Gershwin to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato | Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | E Minor | 1 | 9A | 126 BPM | ||
| Shall We Dance: They Can't Take That Away From Me | Peter Breiner, Juray Bartos, George Gershwin | A♭ Major | 0 | 4B | 64 BPM | ||
| Pictures At An Exhibition: Promenade - 1 | Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 80 BPM | ||
| Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | C Major | 0 | 8B | 160 BPM | ||
| Violin Concerto in E Minor, Op. 64: I. Allegro molto appassionato – | Felix Mendelssohn, Kyung Wha Chung, Orchestre Symphonique de Montréal, Charles Dutoit | E Minor | 1 | 9A | 101 BPM | ||
| Kreisleriana, Op. 16: No. 1, Ausserst bewegt | Robert Schumann, Laurent Cabasso | B♭ Major | 1 | 6B | 82 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestoso | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Minor | 1 | 5A | 80 BPM | ||
| When It's Sleepytime Down South | Wynton Marsalis | A♭ Major | 1 | 4B | 90 BPM | ||
| Percy Grainger: Children's March. Over the Hills and Far Away | Percy Grainger, The Central Band Of The R.A.F., Wing Commander Eric Banks | B♭ Major | 2 | 6B | 62 BPM | ||
| Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
| Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM | ||
| Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
| Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
| Fantaisie Impromptu, Op. 66 | Anna Malikova | D♭ Major | 1 | 3B | 71 BPM | ||
| Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | ||
| Impromptus, Op. 90, D. 899: Impromptu No. 4 in A-Flat Major | Franz Schubert, Simone Dinnerstein | A♭ Major | 0 | 4B | 66 BPM | ||
| Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Edgar Meyer | E Major | 0 | 12B | 146 BPM | ||
| Peruvian Triste - Duo-Art 6323 | Carlos Valderrama, Peter Phillips | C Minor | 0 | 5A | 84 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| Blue Shades | Frank Ticheli, Michigan State University Wind Symphony, John Whitwell | E♭ Major | 1 | 5B | 62 BPM | ||
| Suite from Gayane No. 3: V. Sabre Dance | Aram Khachaturian, Filharmonie Brno, Jiří Bělohlávek | C Major | 7 | 8B | 84 BPM | ||
| Toccata and Fugue in D minor, BWV 565 (Arr. Stokowski) - Live | Johann Sebastian Bach, Czech Philharmonic Orchestra, Leopold Stokowski | C Minor | 1 | 5A | 184 BPM | ||
| Rossini: William Tell Overture | The Royal Festival Orchestra | E Major | 7 | 12B | 152 BPM | ||
| American Beauty Rag | Joseph F. Lamb, Morten Gunnar Larsen | E♭ Major | 1 | 5B | 182 BPM |