Radio Orchestra Berlin's ' "Waltz from Maskarade" was released on its scheduled release date, May 1, 2010. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of World Classical 2010 by Various Artists. The song's track number on the album is #76 out of 100 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Waltz from Maskarade is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Waltz from Maskarade by Radio Orchestra Berlin has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Waltz from Maskarade being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don Quixote, Act II: Spanish dance of Mercedes | Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Traumerei Op.15/7 (Dreaming from Scenes From Childhood) | South German Philharmonic Orchestra | F Major | 0 | 7B | 136 BPM | ||
| Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
| Slavonic Dance Op. 46 / 1 in C major, Presto "Furiant" | Milan Horvat, Vienna Radio Symphony Orchestra | G Major | 2 | 9B | 118 BPM | ||
| Songs Without Words, Op. 62: No. 6 in A Major: Molto allegro vivace "Fruhlinglied" (Spring Melody) | Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
| Carmen Ballet: Entrance of Carmen and Habañera | Arthur Fiedler | G Major | 1 | 9B | 120 BPM | ||
| 10 Preludes, Op. 23: No. 5 in G Minor. Alla marcia | Sergei Rachmaninoff, Peter Katin | G Minor | 3 | 6A | 105 BPM | ||
| Sylvia: Pizzicato (aus Suite) | Léo Delibes, Nuremberg Symphony Orchestra, Räto Tschupp | E♭ Major | 1 | 5B | 131 BPM | ||
| Roses From The South | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 3 | 6B | 99 BPM | ||
| Piano Sonata No. 17 in D Minor, Op. 31/2 "Tempest": III. Allegretto | Sylvia Capova | G Minor | 2 | 6A | 82 BPM | ||
| Symphony No. 7 Op. 92: II. Allegretto (Beethoven) | Orchestra Di Padova E Del Veneto & Peter Maag | E Minor | 0 | 9A | 128 BPM | ||
| Slavonic Dances, Series 1, Op. 46, B. 83: No. 8 | Antonín Dvořák, Slovak Philharmonic, Zdeněk Košler | A Minor | 0 | 8A | 150 BPM | ||
| Suite N1. En LA Gruta Del Rey De La Montaña | Orquesta Sinfónica De Radio Hamburgo | F♯ Minor | 1 | 11A | 118 BPM | ||
| Walzer No. 1 for Piano in E-Flat Major, Op. 18 | Peter Schmalfuss | A♭ Major | 1 | 4B | 134 BPM | ||
| Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
| Passacaglia on the Death Of Falstaff | Radio Orchestra Berlin | E Minor | 1 | 9A | 150 BPM | ||
| Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: II. Polka | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Major | 1 | 8B | 131 BPM | ||
| Act III. Spanish dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F♯ Minor | 2 | 11A | 119 BPM | ||
| Orphée aux enfers: Can-can (Featured in "Peter's Friends") | Jacques Offenbach, Slovak State Philharmonic Orchestra, Johannes Wildner | D Major | 4 | 10B | 146 BPM | ||
| Peer Gynt Suite, Op. 55, No. 2: Solveigs Lied | Slovak State Philharmonic Orchestra, Christian Ehwald | A Minor | 0 | 8A | 123 BPM | ||
| Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
| Grande valse - From 'La lépreuse' | Wojciech Kilar | B Minor | 1 | 10A | 121 BPM | ||
| Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244 | Franz Liszt, Henrik Måwe | D♭ Major | 2 | 3B | 86 BPM | ||
| Violin Concerto in G Minor, RV 315 ("Summer" from "The Four Seasons"): III. Presto. Tempo impettuoso d'estate | Antonio Vivaldi, Stuttgart Chamber Orchestra, Martin Sieghart, Rainer Kussmaul | C Minor | 3 | 5A | 151 BPM | ||
| The Rite of Spring, K. 15: I. Tableau I "The Adoration of the Earth": No. 2. The Augurs of Spring: Dances of the Young Girls. Tempo giusto | Igor Stravinsky, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 2 | 6B | 114 BPM |