On August 16, 1996, the song "Aaj Mari Mena Re Bole" was released by Samrathsinh Sodha, Meena Patel. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Kunjal Na Maar Veera" album is number 2 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Aaj Mari Mena Re Bole is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Aaj Mari Mena Re Bole by Samrathsinh Sodha, Meena Patel to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| MARA SHRI NATHJI NO BHARE CHHE LATKO | Nidhi Dholkia | F♯ Major | 5 | 2B | 162 BPM | ||
| Pela Pela Jug Ma Rani | Raghuram Dudhrejiya | G Major | 7 | 9B | 142 BPM | ||
| Amba Avo to Ramiye | Atul Purohit, Himali Vora, Kairavi Buch | F♯ Minor | 10 | 11A | 125 BPM | ||
| Halaji Tara Haath Vakhanu | Pranlal Vyas | C Major | 7 | 8B | 128 BPM | ||
| Chehar Maa Ni Ramel | Sanjay Nogoh | C Major | 5 | 8B | 78 BPM | ||
| Jab Hi Kiya Bhai Sadguru Ki | Niranjan Pandya | F Minor | 8 | 4A | 129 BPM | ||
| Lila Pila Tara Neja Farake | Hitesh Prajapati | C Major | 9 | 8B | 188 BPM | ||
| Maro Hanslo Nano Ne Devad Junu To Thayu | Meena Patel | E Major | 8 | 12B | 116 BPM | ||
| Jagaun Madh Jot | Narayan Dan Ratanu, Shankar Dan Jesavat | C Minor | 5 | 5A | 160 BPM | ||
| Ja Ja Re Jogi | Ramdas Gondaliya, Yogeshpuri Goswami | G Minor | 10 | 6A | 84 BPM | ||
| Ami Bhareli | Shree Swaminarayan Mandir Kalupur | F♯ Major | 9 | 2B | 98 BPM | ||
| Morlo Marat Lok Ma | Niranjan Pandya | F♯ Minor | 6 | 11A | 110 BPM | ||
| Rangai Jaane Rang Ma | Rekha Trivedi, Kirti Punekar | B♭ Minor | 5 | 3A | 100 BPM | ||
| Lagya Re Bhagyani | Ramdas Gondaliya, Laxman Barot | A Major | 10 | 11B | 100 BPM | ||
| Punmul Jaisa | Champe Khan | F♯ Minor | 8 | 11A | 91 BPM | ||
| Shiv Shiv Shiv Shiv Naam Sumarna | Yogeshpuri Goswami, Ramdas Gondaliya | D♭ Major | 10 | 3B | 172 BPM | ||
| Hari Bahajva Re Kaj | Jog Bharti | G Major | 6 | 9B | 138 BPM | ||
| Guruji Ni Shabd Katari | Meena Patel, Samrathsinh Sodha | F♯ Major | 8 | 2B | 157 BPM | ||
| Jogido Halya Gopichand | Mathur Kanjariya, Suresh Raval | F Major | 7 | 7B | 141 BPM | ||
| Chum Chum Baje Ghugariya | Samrathsinh Sodha | F♯ Major | 8 | 2B | 157 BPM | ||
| Dwarka No Raja | દ્વારકાનો રાજા | MAYUR DAVE | Studio Krishna Bhanvad | F Major | 5 | 7B | 110 BPM | ||
| Ghayal Ne Su Thay Che | Gopal Sadhu | F Minor | 5 | 4A | 110 BPM | ||
| Divalda Olvana Saguna | Ramesh Parmar | E Major | 6 | 12B | 148 BPM | ||
| Lagani Laagi Mara Ram Ni | Jamunaben Godaliya | A♭ Major | 5 | 4B | 110 BPM | ||
| Khechadiyo Rai | Champe Khan | B Major | 8 | 1B | 77 BPM |