"All Your Files Are Exactly Where You Left Them" by Daniel Patrick Cohen had its release date on September 16, 2022. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of We Deliver by Daniel Patrick Cohen. The song's track number on the album is #12 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. All Your Files Are Exactly Where You Left Them is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since All Your Files Are Exactly Where You Left Them by Daniel Patrick Cohen has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With All Your Files Are Exactly Where You Left Them being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clouds | Hiroshi Yoshimura | A Major | 0 | 11B | 70 BPM | ||
| 立冬 | MEITEI | D Major | 0 | 10B | 129 BPM | ||
| The Lazy Song II | BEABEE | A Major | 0 | 11B | 70 BPM | ||
| denial | Nathanial Young | E♭ Major | 3 | 5B | 65 BPM | ||
| Solar | Patricia Brennan | D♭ Major | 0 | 3B | 74 BPM | ||
| Ad astros seniores redit | Corpus Dominix | A Minor | 2 | 8A | 120 BPM | ||
| Woven things rest | Lia Kohl, Zander Raymond | G Major | 2 | 9B | 119 BPM | ||
| They Make Life Sparkle | Allan Jozy | C Major | 0 | 8B | 180 BPM | ||
| Ricordi | Luciano Keys | G Minor | 1 | 6A | 93 BPM | ||
| All Your Files Are Exactly Where You Left Them | Daniel Patrick Cohen | C Minor | 2 | 5A | 70 BPM | ||
| Buy Priority Through Security | Daniel Patrick Cohen | C Minor | 2 | 5A | 70 BPM | ||
| Form | Jóhann Jóhannsson, Echo Collective | B Major | 2 | 1B | 96 BPM | ||
| Blue-footed booby | Cosmo Sheldrake | E Minor | 1 | 9A | 61 BPM | ||
| 疑心暗鬼 | 藤澤慶昌 | F Major | 1 | 7B | 70 BPM | ||
| Safehouse | Daniel Patrick Cohen | B♭ Minor | 0 | 3A | 72 BPM | ||
| Hymn for the Homunculi | Miguel Arada, Taylor Baum | E Minor | 3 | 9A | 95 BPM | ||
| Real Feelings | Shaan Rhythm | A♭ Major | 3 | 4B | 152 BPM | ||
| Horses | Duval Timothy, CJ Mirra | A Major | 0 | 11B | 70 BPM | ||
| Held | Jim Perkins | G Major | 0 | 9B | 72 BPM | ||
| Satie | Daniel Lanois, Rocco DeLuca | C Major | 1 | 8B | 64 BPM | ||
| Kamouraska | Mathieu David Gagnon, Flore Laurentienne | D Minor | 0 | 7A | 168 BPM | ||
| lost in blue - reprise | Edward Cross | A♭ Major | 0 | 4B | 143 BPM | ||
| Sima | Bryan Senti, Spencer Zahn, Noah Hoffeld, Czech National Symphony | G Major | 7 | 9B | 120 BPM | ||
| Car Alarm | Pat's Soundhouse | G Major | 2 | 9B | 81 BPM | ||
| Sopouch | Tomáš Dvořák | C Major | 1 | 8B | 74 BPM |