Igor Stravinsky, Leonard Bernstein, New York Philharmonic's 'The Rite of Spring (1913 Version): Adoration of the Earth, Part I: The Augurs of Spring - Dances of the Young Girls' had a release date set for 1947. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Rite of Spring (1913 Version): Adoration of the Earth, Part I: The Augurs of Spring - Dances of the Young Girls is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Rite of Spring (1913 Version): Adoration of the Earth, Part I: The Augurs of Spring - Dances of the Young Girls by Igor Stravinsky, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
| Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
| Symphony in C Major, Op. 46: II. Sehr langsam - | Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 87 BPM | ||
| Violin Concerto, Op. 48: II. Andante cantabile | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | A♭ Minor | 0 | 1A | 73 BPM | ||
| Petrushka: The Shrove-Tide Fair | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
| La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
| Rachmaninov: Symphony No. 3 in A Minor, Op. 44: II. Adagio ma non troppo - Allegro vivace | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | E♭ Minor | 0 | 2A | 117 BPM | ||
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
| Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride. Ingrid's Lament | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 135 BPM | ||
| Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | D♭ Major | 0 | 3B | 66 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 99 BPM | ||
| Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
| La mer, CD 111: II. Jeux de vagues | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 114 BPM | ||
| Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
| Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 141 BPM | ||
| Verklärte Nacht, Op. 4 (Version for String Orchestra): I. Grave | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 89 BPM | ||
| Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 1 | 1A | 120 BPM | ||
| Ballade in A minor, Op. 33 | Samuel Coleridge-Taylor, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 1 | 8A | 82 BPM | ||
| Miroirs, M. 43: I. Prélude à la nuit | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Minor | 0 | 7A | 107 BPM | ||
| Aladdin Suite, Op. 34, FS 89: VI. Dance of the Prisoners | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 2 | 9A | 107 BPM | ||
| Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
| Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | ||
| Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A Major | 0 | 11B | 88 BPM |