Avi Avital's ' "Miniatures On Georgian Folk Themes: Sachidao - Commentary" was released on its scheduled release date, January 1, 2014. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 38 in Between Worlds (Including Spotify Commentary) by Avi Avital. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Miniatures On Georgian Folk Themes: Sachidao - Commentary is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Miniatures On Georgian Folk Themes: Sachidao - Commentary by Avi Avital is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3 in C Major, Op. 2, "the Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 82 BPM | ||
| Waltz | Balanescu Quartet | D Major | 2 | 10B | 145 BPM | ||
| Federico Gardella: Concerto per mandolino e orchestra: Secondo movimento, Nei labirinti di Borges - 2007 | Federico Gardella, Avi Avital, Carlo Boccadoro, Orchestra I Pomeriggi Musicali | B Major | 0 | 1B | 75 BPM | ||
| String Quartet No. 17 in F Major, Hob. III:17 "Serenade": II. Andante cantabile | Joseph Haydn, Carmina Quartet | C Major | 0 | 8B | 98 BPM | ||
| Les Pêcheurs de perles, GB. 4, WD. 13: Je crois entendre encore (Arr. for Cello Octet by Roland Pidoux) | Georges Bizet, Cello8, Raphael Pidoux | A Minor | 1 | 8A | 84 BPM | ||
| Federico Gardella: Concerto per mandolino e orchestra, Cadenza: Primo movimento, Cadenza - 2007 | Federico Gardella, Avi Avital, Carlo Boccadoro, Orchestra I Pomeriggi Musicali | A♭ Major | 1 | 4B | 82 BPM | ||
| Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
| Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
| Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
| Rivka | Giora Feidman, Avi Avital, Murat Coskun, Helmut Eisel, Guido Jäger, Jens-Uwe Popp, Dieter Gostischa, Arturo R. Grolimund, Enrique Ugarte | B♭ Major | 5 | 6B | 215 BPM | ||
| Passacaglia | Silvius Leopold Weiss, Miloš Karadaglić | D Major | 1 | 10B | 86 BPM | ||
| O mia bella Napoli | Robert Stolz, Piotr Beczala, Avi Avital, Duncan Riddell, Royal Philharmonic Orchestra, Łukasz Borowicz | F Major | 2 | 7B | 169 BPM | ||
| Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
| Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
| Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Thomas Dunford | B Major | 0 | 1B | 83 BPM | ||
| 12 Danzas españolas: No. 2, Oriental (Arr. Keren for Mandolin & Ensemble) | Enrique Granados, Avi Avital, Between Worlds | C Minor | 1 | 5A | 102 BPM | ||
| 12 Concerti et sinphonie, Op. 1, Symphony No. 5 in F Major: I. Allegro | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Schwanengesang, D. 957: No. 4, Ständchen (Arr. for Mandolin & Harp by Alon Sariel) | Franz Schubert, Alon Sariel, Anne-Sophie Bertrand | D Major | 1 | 10B | 73 BPM | ||
| The Mad Lover Suite: Ground. Aire III | John Eccles, Théotime Langlois de Swarte, Thomas Dunford | E Major | 0 | 12B | 127 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: I. Largo | Charles Avison, Café Zimmermann | D♭ Minor | 1 | 12A | 134 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| "Death Is a Friend of Ours" for Mandolin, Harp, Harpsichord, Theorbo, Guitar: II. The Death of Despair | David Bruce, Avi Avital, Anneleen Lenaerts, Yizhar Karshon, Ophira Zakai, Sean Shibe | G Minor | 0 | 6A | 120 BPM | ||
| Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
| Pequeña Czarda (Arr. Harle) | Pedro Iturralde, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | C Minor | 4 | 5A | 170 BPM |