Concerto grosso in D Major Op. 6, No. 4: II. Adagio by Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit Song Details

Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit's 'Concerto grosso in D Major Op. 6, No. 4: II. Adagio' had a release date set for June 20, 2025. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Concerto grosso in D Major Op. 6, No. 4: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 28 in Corelli: Concerti grossi Op. 6, 1-6 by Arcangelo Corelli, Akademie für Alte Musik Berlin, Mayumi Hirasaki, Georg Kallweit. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Concerto grosso in D Major Op. 6, No. 4: II. Adagio is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

The tempo marking of Concerto grosso in D Major Op. 6, No. 4: II. Adagio by Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Music Key

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -29.921 dB
Acousticness: 92%
Danceability: 61%
Energy: 0%
Instrumentalness: 0%
Liveness: 11%
Loudness: 50%
Speechiness: 5%
Valence: 20%

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