On February 21, 1999, the song "Sod Kanha Padar Majha" was released by Anil Rakhse. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Kamlesh Jadhav's "Mathala Gela Tada Vol 4" album is number 9 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Sod Kanha Padar Majha is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sod Kanha Padar Majha by Anil Rakhse to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O ma tor aanchal diye | Parikshit Bala | F♯ Minor | 6 | 11A | 144 BPM | ||
| Chala Re Jaauya Shirdila | Sachidanand Appa | G Major | 7 | 9B | 107 BPM | ||
| O Ma Jasode Go | Amar Pal | D♭ Major | 3 | 3B | 133 BPM | ||
| Khodya Kari Manmohana | Godavaribai Munde, Rameshbua Shengaonkar, Kashiram Bua | F♯ Major | 7 | 2B | 170 BPM | ||
| Tarakmantra - Nishankh Hoi Re mana | Rushikant Mesekar | D♭ Major | 6 | 3B | 120 BPM | ||
| Aale Aale Ho Ganpati (Male) | Firoz Ali | C Major | 6 | 8B | 105 BPM | ||
| Bhol Bhavani | Bhimsingh Rathod | F Major | 6 | 7B | 129 BPM | ||
| Dhanya Dhanya Ti Saileela Haay | Sai bhakti, Rajesh Ranshur | E Major | 9 | 12B | 110 BPM | ||
| Bhaje Mon Aapana Aapani Keho Naai | Pratima Barua (Pande) | E Major | 6 | 12B | 85 BPM | ||
| Soto Naame Koto Jone | Gurujeet Singh | D♭ Major | 8 | 3B | 92 BPM | ||
| Babu Ami Gayer Chhele | Sanajit Mondal | A♭ Major | 5 | 4B | 99 BPM | ||
| Kashi Dur Jaau Panyashi | Shakuntala Jadhav | D Major | 7 | 10B | 137 BPM | ||
| Pandharichya Vithuraya - Studio | Sanjeev Abhyankar | F♯ Major | 3 | 2B | 73 BPM | ||
| Pokhi Roya Ja Re | Rameshwar Pathak | G Major | 4 | 9B | 141 BPM | ||
| Rura Mithi Mith Boliya | Bharat Sharma Vyas | G Major | 5 | 9B | 169 BPM | ||
| Gharaat Shirlaay Chor (From "Aata Tari Ghari Mala Soda") | Uttara Kelkar | F♯ Major | 10 | 2B | 90 BPM | ||
| Subha Bara Somabara | Kumar Sarat | B♭ Minor | 7 | 3A | 152 BPM | ||
| Dev Jotiba Aala Navaji Bhakta Ghari | Vijay Sartape | F♯ Major | 7 | 2B | 91 BPM | ||
| Mangav Talukyat | Sanchita Morajkar | G Minor | 6 | 6A | 82 BPM | ||
| Vighnaharta Sukh Karta | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Atta Kothai Dhawai Mann | Digambar Kutae, Kashiram Indolikar | C Major | 6 | 8B | 127 BPM | ||
| Nay Gonge Nay Gonge | Veena Bamne, Shrikant Narayan | B♭ Minor | 4 | 3A | 165 BPM | ||
| Bharti Aayli Daryala | Balasaheb Jadhav, Eknath Mali, Kavita Shinde, Ganesh Bhagat, Joli Mukharjee, Krushna Shinde, Uttara Kelkar, Reshma Sonavane | A Major | 7 | 11B | 187 BPM | ||
| Koi Nahi Jaane | Madan Rai | F♯ Major | 4 | 2B | 140 BPM | ||
| Maaybapachi Sanduniya Aas (Bhairavi) | Vishnubuva Wavanjekar | E♭ Minor | 4 | 2A | 104 BPM |