On March 1, 2001, the song "Koi Nahi Jaane" was released by Madan Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 7 in Abhin Umar Mor Baari by Madan Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Koi Nahi Jaane's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Koi Nahi Jaane by Madan Rai is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abahi Umiriya Baari | Madan Rai | F♯ Major | 5 | 2B | 112 BPM | ||
| Yun Na Nikla Karo | Mohd. Niyaz | D Minor | 7 | 7A | 142 BPM | ||
| Dharmatar | Milind Shinde | A♭ Major | 6 | 4B | 81 BPM | ||
| Sadguru Maro Taran Har | Lalita Ghodadra | F Major | 8 | 7B | 101 BPM | ||
| Vandu Budhdala Chala | Prahlad Shinde | A♭ Major | 6 | 4B | 128 BPM | ||
| Chamunda Maa Ni Aarti | Raghuveer Kunchala, Meena Patel | E Minor | 7 | 9A | 95 BPM | ||
| Jai Maa Nanda Bhagwati | Mukesh Kathait, Meena Rana | D♭ Major | 8 | 3B | 165 BPM | ||
| Bhalobese Bhikhari Holam | Gostho Gopal Das | F♯ Major | 7 | 2B | 92 BPM | ||
| बॉबी का राज | Aarif Ladpuriya, Rihan Mewati | E Minor | 9 | 9A | 143 BPM | ||
| अंगुरी में डंसले बिया नगिनिया | पुरबियाउस्ताद महेंदर मिसिर का पुरबी | Chandan Tiwari | F Minor | 8 | 4A | 78 BPM | ||
| Ankhiya Me Bhar Ke Asarwa | Bharat Sharma | B♭ Major | 7 | 6B | 145 BPM | ||
| Sukhi Rahude Lakhabai Kunkwacha Dhani | Renukatai Jejurikar | C Minor | 7 | 5A | 103 BPM | ||
| 201 Dharmatalla | Nachiketa Chakraborty | A Major | 7 | 11B | 93 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Dev Jotiba Aala Navaji Bhakta Ghari | Vijay Sartape | F♯ Major | 7 | 2B | 91 BPM | ||
| Jabse Chadal Bayisaakhna | Radhe Shyam Rasiya, Vinay Bihari | E Major | 6 | 12B | 182 BPM | ||
| Baba Harihar Nath Sonpur Me Holi Khele | Kalpana Patowary, SHYAM SINGH | F♯ Major | 7 | 2B | 116 BPM | ||
| Maa Hi Mandir Maa Hi Pooja | Gyanendra Sharma | E♭ Minor | 6 | 2A | 94 BPM | ||
| Rang Laagyo | Loyadham Mandir, Jaysinh Gadhavi, Zalak Pandya | F♯ Minor | 7 | 11A | 115 BPM | ||
| Admapurala Balumama Nandatoy | Vijay Sartape | F Minor | 7 | 4A | 120 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Ved Jiva Lavito Pava | Suryakant Shinde | A♭ Minor | 9 | 1A | 153 BPM | ||
| Gauri Puju | Poonam Mishra | E Major | 6 | 12B | 180 BPM | ||
| Patte Janam Befa ho geya, Dera Sacha Sauda | Rehmat Records | E Minor | 4 | 9A | 140 BPM | ||
| Sajna Syan Hum Nadan | Madan Rai | A♭ Major | 9 | 4B | 147 BPM |