"Departure" by Patrick Doyle had its release date on November 3, 2017. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Patrick Doyle's "Murder on the Orient Express (Original Motion Picture Soundtrack)" album is number 5 out of 24. On top of that, United States appears to be the country where this track was created. Departure is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Departure by Patrick Doyle to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghost Bode | Torin Borrowdale | G Major | 1 | 9B | 88 BPM | ||
| New Dawn at Fraser's Ridge | Bear McCreary | G Major | 2 | 9B | 94 BPM | ||
| Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
| Forbidden Love | Abel Korzeniowski | B Minor | 3 | 10A | 129 BPM | ||
| Twelve Stab Wounds | Patrick Doyle | A♭ Major | 0 | 4B | 87 BPM | ||
| Sheep To The Horizon | Joel McNeely | G Major | 3 | 9B | 115 BPM | ||
| A Father of Very Little Brain | Geoff Zanelli, Jon Brion | G Major | 1 | 9B | 87 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| Water Truce | John Debney | B♭ Major | 1 | 6B | 138 BPM | ||
| Memories of Harry | Henry Jackman, Matthew Margeson | G Major | 1 | 9B | 81 BPM | ||
| Masterclass | Tom Howe | D Minor | 3 | 7A | 145 BPM | ||
| The Last Dance | Samuel Sim | G Major | 2 | 9B | 151 BPM | ||
| Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM | ||
| Homecoming - From "The Good Dinosaur" Score | Mychael Danna, Jeff Danna | E Major | 1 | 12B | 141 BPM | ||
| Easy to Lose Your Way on a Foggy Day | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 78 BPM | ||
| Orphaned | Patrick Doyle | A Minor | 0 | 8A | 82 BPM | ||
| Love And The Hunter | The Chamber Orchestra Of London | C Major | 2 | 8B | 171 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| Reception Waltzer | Mario Malagnini | E Major | 6 | 12B | 130 BPM | ||
| Expansion Project | Samuel Sim | D♭ Major | 2 | 3B | 166 BPM | ||
| Entering Moscow | Trevor Rabin | D Major | 2 | 10B | 135 BPM | ||
| Finale | Richard Rodney Bennett | C Major | 3 | 8B | 47 BPM | ||
| Burning Down Dungatar | David Hirschfelder | G Major | 2 | 9B | 180 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| The Village Of Dor | William Ross | G Major | 2 | 9B | 149 BPM |