Térez Montcalm's 'A Song For You' had a release date set for January 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Térez Montcalm's "Here's To You - Songs For Shirley Horn" album is number 5 out of 12. On top of that, France appears to be the country where this track was created. In terms of popularity, A Song For You is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of A Song For You by Térez Montcalm to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Wait For Late Afternoon And You | Patricia Barber | C Major | 2 | 8B | 65 BPM | ||
| I Could Get Used to This (Bumpin') | Claire Martin, Jim Mullen | C Minor | 2 | 5A | 184 BPM | ||
| When It's Sleepytime Down South | Hailey Tuck | B♭ Major | 1 | 6B | 110 BPM | ||
| Why Don't You Do Right | NYC Jazz Quartett | E♭ Minor | 3 | 2A | 79 BPM | ||
| What Are You Doing The Rest Of Your Life | Rigmor Gustafsson | F Minor | 1 | 4A | 130 BPM | ||
| I Get Along Without You Very Well | Ellen Andersson | D♭ Major | 1 | 3B | 111 BPM | ||
| Bewitched, Bothered and Bewildered | Suss von Ahn | B♭ Major | 2 | 6B | 180 BPM | ||
| Everybody Knows | Sharon Robinson | D♭ Major | 2 | 3B | 134 BPM | ||
| Yours | Sara Gazarek | G Major | 2 | 9B | 117 BPM | ||
| The Way You Look Tonight | Cassandra Wilson | E♭ Major | 2 | 5B | 95 BPM | ||
| You Don't Know What Love Is | Cassandra Wilson | A♭ Minor | 0 | 1A | 86 BPM | ||
| How Do You Keep The Music Playing | Ian Shaw | E♭ Major | 2 | 5B | 101 BPM | ||
| Sting: Fragile (Arr. for String Quartet and Vocals) | Gordon Matthew Thomas Sumner, Quatuor Ébène, Mino Cinelu, Richard Héry | A Minor | 4 | 8A | 91 BPM | ||
| You've Got a Friend in Me | Ellen Andersson | F Major | 3 | 7B | 133 BPM | ||
| Lullaby in Blue | Ann Hampton Callaway | C Minor | 1 | 5A | 180 BPM | ||
| Beyond The Rainbow | Veronica Mortensen | B♭ Minor | 4 | 3A | 87 BPM | ||
| Don't Know Why | Cheryl Bentyne | F Major | 4 | 7B | 154 BPM | ||
| Down Here Below - 2007 Abbey sings Abbey Version | Abbey Lincoln | C Minor | 1 | 5A | 173 BPM | ||
| In a Sentinmental Mood | Ann Hampton Callaway | B♭ Major | 1 | 6B | 82 BPM | ||
| Then I'll Be Tired of You | Kat Gang | G Major | 2 | 9B | 110 BPM | ||
| Here It Is | Luciana Souza | C Minor | 3 | 5A | 116 BPM | ||
| Empty Hearts | Rigmor Gustafsson | B♭ Major | 1 | 6B | 137 BPM | ||
| Everytime We Say Goodbye | Karrin Allyson | D♭ Major | 3 | 3B | 76 BPM | ||
| Nature Boy | Hugh Coltman | D Minor | 4 | 7A | 93 BPM | ||
| Let’s Make The Most Of A Beautiful Thing | Erin Boheme | D♭ Major | 2 | 3B | 111 BPM |