Pierre Rode, Elizabeth Wallfisch's ' "24 Caprices en formes d'etudes: No. 15 in D-Flat Major" was released on its scheduled release date, May 19, 2010. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Rode: 24 Caprices en formes d'etudes". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, 24 Caprices en formes d'etudes: No. 15 in D-Flat Major is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 24 Caprices en formes d'etudes: No. 15 in D-Flat Major by Pierre Rode, Elizabeth Wallfisch having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen Concert Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 111 BPM | ||
| 24 caprices en formes d'etudes: No. 9 in E Major | Pierre Rode, Axel Strauss | B Major | 2 | 1B | 82 BPM | ||
| Cello Concerto No. 2 in D Minor, Op. 119: II. Andante sostenuto | Camille Saint-Saëns, Zuill Bailey, Roanoke Symphony Orchestra, David Wiley | E Minor | 1 | 9A | 180 BPM | ||
| 24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Elizabeth Wallfisch | E Major | 1 | 12B | 128 BPM | ||
| Es ist gewisslich an der Zeit Variation (After Nun freut euch, lieben Christen gmein, BWV 734) [Arr. for Violin, String Quintet & Piano by Jarkko Riihimäki] | Johann Sebastian Bach, Jarkko Riihimäki, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | B♭ Major | 0 | 6B | 137 BPM | ||
| Violin Concerto In E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | E Major | 2 | 12B | 81 BPM | ||
| Adagio pour violon et orgue | André Caplet, Chouchane Siranossian, François Saint-Yves | C Major | 1 | 8B | 53 BPM | ||
| Erlkönig, D. 328 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A Minor | 1 | 8A | 124 BPM | ||
| Sonata for Solo Cello, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Massimiliano Martinelli | D Minor | 2 | 7A | 94 BPM | ||
| Cello Concerto in C, H.VIIb, No.1: 1. Moderato | Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang | C Major | 1 | 8B | 131 BPM | ||
| Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Daniel Lozakovich, Mikhail Pletnev | F♯ Minor | 1 | 11A | 104 BPM | ||
| 24 Caprices for Solo Violin, Op. 22: No. 6 in B Minor. Adagio - Moderato | Pierre Rode, Roksana Kwaśnikowska | C Major | 1 | 8B | 123 BPM | ||
| Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Müller-Brühl | F♯ Major | 1 | 2B | 141 BPM | ||
| Partita No. 1 for Solo Violin in B Minor, BWV 1002: II. Double | Johann Sebastian Bach, Hilary Hahn | A Major | 4 | 11B | 75 BPM | ||
| Sonatina, Op. 100: Scherzo. Molto vivace | Antonín Dvořák, Josef Suk, Alfréd Holeček | G Major | 2 | 9B | 131 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 4 in E Minor: I. Allemande | Eugène Ysaÿe, Hilary Hahn | E Minor | 1 | 9A | 105 BPM | ||
| Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | ||
| Spohr : Sonata for Cello & Harp in G major Op.115 : II Larghetto | Louis Spohr, Helga & Klaus Storck | E Major | 1 | 12B | 116 BPM | ||
| Sonata in G Minor: III. Adagio | Henry Eccles, Takako Nishizaki, Terence Dennis | G Minor | 1 | 6A | 169 BPM | ||
| Five Pieces For Two Violins and Piano: V. Polka | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | D Major | 1 | 10B | 167 BPM | ||
| 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 2, Gavotte. Tranquillo, molto leggiero | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | A Major | 1 | 11B | 81 BPM | ||
| Chiquilín de Bachín | Astor Piazzolla, Maria Lindsay, Josephine Allan | E Minor | 2 | 9A | 109 BPM | ||
| Concerto for 2 Mandolins in G Major, RV 532: I. Allegro | Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| Seitz: Schüler-Konzert No. 2, Op. 13: II. Adagio | Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | B Minor | 1 | 10A | 79 BPM | ||
| Vieuxtemps: Souvenirs d'Amérique, Op. 17 | Henri Vieuxtemps, Itzhak Perlman | A Major | 2 | 11B | 154 BPM |