"Elegy" by John Lenehan had its release date on February 8, 2011. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Quiet Room, Vol. 2". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Elegy is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Elegy by John Lenehan having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude in E Minor, Op. 28, No.4 | Tegelhof Kammerorchester | D Minor | 2 | 7A | 107 BPM | ||
| Winter Meditation (after The Four Seasons, Violin Concerto, RV 297: II. Largo) | Antonio Vivaldi, Eldbjørg Hemsing, Hestia String Quartet | E♭ Major | 3 | 5B | 174 BPM | ||
| Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
| Alice | John Lenehan, Julian Lloyd Webber | B Major | 1 | 1B | 80 BPM | ||
| Elgar: Salut d'amour, Op. 12 | Edward Elgar, Min Kym, Gordon Back | E Major | 1 | 12B | 86 BPM | ||
| 4 Songs: No. 1, Mit deinen blauen Augen (Arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | E♭ Major | 0 | 5B | 88 BPM | ||
| 6 Studies in English Folksong: No. 4, Lento (She Borrowed Some of her Mother's Gold) [Version for Clarinet and Piano] | Ralph Vaughan Williams, Anthony Pike, John Lenehan | E♭ Major | 0 | 5B | 88 BPM | ||
| Rachmaninoff: Rhapsody On A Theme Of Paganini | John Barry, John Debney, Royal Scottish National Orchestra | D♭ Major | 1 | 3B | 128 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | ||
| Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | ||
| 5 Romances: Romance No. 2 'Dusk' | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (Arr. I. Friedman) | Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 77 BPM | ||
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| The Desire | Peter Cavallo | C Minor | 3 | 5A | 88 BPM | ||
| New Start - From BBC Series "North & South" | Martin Phipps | G Major | 1 | 9B | 81 BPM | ||
| Closer Than Yesterday | Peter Cavallo | F Minor | 2 | 4A | 78 BPM | ||
| Lines of Desire | John Lenehan | C Major | 0 | 8B | 122 BPM | ||
| Runaways (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E Major | 1 | 12B | 80 BPM | ||
| Cello Sonata in B-Flat Major, Op. 46: 2. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | A♭ Major | 0 | 4B | 65 BPM | ||
| Trees | Julian Lloyd Webber, John Lenehan | A Major | 1 | 11B | 65 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| The Three Ravens (Arr. J. Lloyd Webber for cello and piano) | John Ireland, Julian Lloyd Webber, John Lenehan | B♭ Minor | 7 | 3A | 124 BPM | ||
| The Bronze Horseman (Arr. J. Lenehan): I. Gently Flowing | Helen Habershon, Andrew Fuller, John Lenehan | C Minor | 1 | 5A | 109 BPM | ||
| Piano Quintet in C Minor: II. Andante | Ralph Vaughan Williams, Chris West, John Lenehan, Lorraine McAslan, Karine Georgian, Sarah-Jane Bradley | E♭ Major | 0 | 5B | 95 BPM | ||
| 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM |