"Alice" by John Lenehan, Julian Lloyd Webber had its release date on August 4, 1995. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Alice's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 21 in Cradle Song by Julian Lloyd Webber. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Alice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alice by John Lenehan, Julian Lloyd Webber is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| The Color Purple: Main Title | Quincy Jones, Rod Temperton, Jeremy Lubbock, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 107 BPM | ||
| Le Bel Aujourd'hui | Richard Harvey, John Lenehan | G Major | 0 | 9B | 97 BPM | ||
| Alta società | Andrea Guerra | A♭ Major | 0 | 4B | 74 BPM | ||
| From Jewish Life, B. 55: I. Prayer | Ernest Bloch, Sol Gabetta, Amsterdam Sinfonietta, Candida Thompson | F Minor | 1 | 4A | 88 BPM | ||
| The Gadfly Suite, Op. 97a: Prelude (arr. J .Lloyd Webber for 2 cellos and piano) | Dmitri Shostakovich, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | B Minor | 1 | 10A | 97 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| Suite antique (Version for Guitar) [Excerpts]: I. Prélude | John Rutter, Graham Anthony Devine | A Minor | 0 | 8A | 119 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Dance of the Blessed Spirits (Transcr. Kreisler & Moreau for Cello and Piano) | Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique | B Major | 0 | 1B | 64 BPM | ||
| The Towing Path | John Ireland, John Lenehan | C Major | 0 | 8B | 77 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Lumikuningatar: No. 19. Kehtolaulu | Tuomas Kantelinen, Finnish National Opera Orchestra | G Minor | 2 | 6A | 80 BPM | ||
| Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina (Version for Cello and Piano) | Julian Lloyd Webber, John Lenehan | C Major | 1 | 8B | 169 BPM | ||
| Sonatina in G Major for Violin & Piano, Op. 100 | Antonín Dvořák, Atsuko Sahara, John Lenehan | A Major | 1 | 11B | 133 BPM | ||
| Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
| 3 Gymnopédies: 3 Gymnopediés, No. 1 | Erik Satie, John Lenehan | F♯ Minor | 1 | 11A | 72 BPM | ||
| Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 66 BPM | ||
| "Come in!": 2nd mvt. | Vladimir Martynov, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | A Major | 2 | 11B | 141 BPM | ||
| Spiegel im Spiegel, for Cello & Piano | Arvo Pärt, Sebastian Klinger, Jürgen Kruse | F Major | 0 | 7B | 84 BPM | ||
| Preludium c-moll | Hania Rani, Dobrawa Czocher | C Minor | 0 | 5A | 98 BPM | ||
| Klavierquintett c-Moll: I. Allegro con fuoco | Ralph Vaughan Williams, Chris West, John Lenehan, Lorraine McAslan, Karine Georgian, Sarah-Jane Bradley | E Major | 0 | 12B | 104 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
| Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 76 BPM | ||
| Czardas (extract) | Tasmin Little, John Lenehan | D Major | 3 | 10B | 128 BPM |