On April 1, 2010, the song "Sunder Roop Sajjan" was released by Pranita. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Sunder Roop Sajjan's duration is considered a little bit shorter than the average duration of a typical track. The song is number 69 out of 92 in Bhakti Sagar by Vikram. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Sunder Roop Sajjan's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sunder Roop Sajjan by Pranita is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hari Hari Jay Jay Ram Krushna Hari-Bhajan | Samir Rama Kadam | F♯ Major | 8 | 2B | 133 BPM | ||
| Bhavsambhav | Shree Swaminarayan Mandir Kalupur | D♭ Major | 4 | 3B | 90 BPM | ||
| Vighnaharta Sukh Karta | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Jagone Albela Kanha | Hemant Chauhan | F Major | 7 | 7B | 98 BPM | ||
| Pandharit Maza | Prahlad Shinde | F Major | 6 | 7B | 86 BPM | ||
| Natraj Stuti | Madhvi Madhukar | A♭ Minor | 6 | 1A | 134 BPM | ||
| Ali Bhavani | Sakhrabai Tekale, Gajrabai Bumbhe, Chandan Kamble | B Minor | 6 | 10A | 93 BPM | ||
| He Ma Sharda | Satish Dehra, Foram Maheta | E♭ Major | 5 | 5B | 185 BPM | ||
| Sate Ki E Jeeba Jiba | Brajamohan Ji | E♭ Major | 7 | 5B | 91 BPM | ||
| Aaj Mare Orde (Pad 01 to 04) | Hemant Joshi | B♭ Minor | 4 | 3A | 85 BPM | ||
| Mane Panche Te Garba | Kanu Patel | B♭ Minor | 4 | 3A | 111 BPM | ||
| Mai tore roop hazar | Rakesh Tiwari | A♭ Major | 5 | 4B | 115 BPM | ||
| Nighalo Sainchya Darbari | Omkar Mahadik | F Minor | 7 | 4A | 140 BPM | ||
| Pokhi Roya Ja Re | Rameshwar Pathak | G Major | 4 | 9B | 141 BPM | ||
| Naman Hu Karu Visvapal Ne | Swami Shree Chhapaiyaprakashdasji | F♯ Major | 4 | 2B | 138 BPM | ||
| Vishwambhari Akhil Vishwa Tani - Stuti | Koras | C Major | 4 | 8B | 143 BPM | ||
| Sai Re Sai | Sachidanand Appa | A♭ Major | 7 | 4B | 72 BPM | ||
| Gajavadana | Mandar Apte | G Major | 5 | 9B | 87 BPM | ||
| Maj Bhetuni Ja Ho | Mahesh Hiremath, Shubhangi Joshi | G Major | 6 | 9B | 99 BPM | ||
| Amba Abhay Pad Daayni | Suresh Raval, Meena Patel | F♯ Major | 8 | 2B | 143 BPM | ||
| Hala Vala Mare Hirani Dori | Kiran Prajapati | A♭ Minor | 9 | 1A | 135 BPM | ||
| Pratham Namu Guru Rajne | SRMD Bhakti | E♭ Minor | 3 | 2A | 112 BPM | ||
| Pan Lilu Joyu Ne Tame Yaad Aavya | Varsha Pandya | E♭ Minor | 6 | 2A | 127 BPM | ||
| Baula Phulare Maala Gunthichi | Namita Agrawal | F♯ Minor | 8 | 11A | 98 BPM | ||
| Ovolu Arati Madan Gopala | Ravindra Sathe, Sangeeta Kulkarni | F Minor | 9 | 4A | 116 BPM |