Pierre Phalèse, Konrad Ragossnig, Dieter Kirsch's ' "Passamezzo - Saltarello" was released on its scheduled release date, January 1, 1994. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Passamezzo - Saltarello's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 135 in Dance Music Through the Ages: Renaissance; Early Baroque; High Baroque; Rococo; Viennese Classical Period; Biedermeier Period by Konrad Ragossnig, Ulsamer Collegium, Ensemble Eduard Melkus, Josef Ulsamer. In terms of popularity, Passamezzo - Saltarello is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Passamezzo - Saltarello by Pierre Phalèse, Konrad Ragossnig, Dieter Kirsch is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Nomine No. 14, 'Reporte' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 86 BPM | ||
| L'aspido sordo | Donato da Cascia, La Reverdie | C Major | 1 | 8B | 88 BPM | ||
| Capriccio | Giovanni Paolo Cima, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 70 BPM | ||
| Branle de Bourgoigne | The New York Renaissance Band | G Major | 2 | 9B | 105 BPM | ||
| Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
| Suite in G Major: V. Musette de Monsieur Marais | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Sixteenth Century French Dances: L'Homme Arme | Michael Praetorius, Calliope - A Renaissance Band | A Major | 1 | 11B | 138 BPM | ||
| Fantasia Suite in G Minor for Treble and 2 Basses, VdGS No. 1: III. Corant | John Jenkins, Fretwork | E Minor | 2 | 9A | 109 BPM | ||
| O Combien est heureuse | Adrien le Roy, The King's Noyse, David Douglass, Ellen Hargis | E♭ Major | 1 | 5B | 98 BPM | ||
| Couperin, L: Fantaisie de Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 62 BPM | ||
| Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | ||
| Hungarian Dances from 16th century tablatures: Ungaresca - Allemande - Ein Ander Teuttscher Tanntz | August Nörmiger, Pierre Phalèse, Jacob Paix, Istvan Ella, Janos Sebestyen | G Major | 1 | 9B | 76 BPM | ||
| Pavane la nonette (Une jeune fillette) | Pierre Phalèse, La Compagnie Maitre Guillaume | D Minor | 3 | 7A | 123 BPM | ||
| Pavan Lesquercarde | Pierre Phalese, Folger Consort | F Major | 0 | 7B | 109 BPM | ||
| Bransle de Poictou | Pierre Attaingnant, Hopkinson Smith | E Major | 1 | 12B | 136 BPM | ||
| Shiarazula Marazula | Pierre Phalèse, La Cetra d'Orfeo | F Major | 3 | 7B | 132 BPM | ||
| Canto I, Fortuna innamorata: Recercata XII | Francesco da Milano, Xavier Diaz-Latorre | D Minor | 0 | 7A | 85 BPM | ||
| D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
| Welsch tanze (1560s): No. 2, Sprung | Anonymous, Hortus Musicus, Andres Mustonen | D Minor | 1 | 7A | 121 BPM | ||
| Canzona per Basso Solo (Arr. J. Vitores) | Girolamo Frescobaldi, José Vitores, Klaus Stoll | G Major | 0 | 9B | 108 BPM | ||
| Shepheards Holyday or Labour in Vaine | The Broadside Band | B♭ Major | 1 | 6B | 94 BPM | ||
| Folia. Recercada 8ª | Diego Ortiz, La Reverencia | C Major | 4 | 8B | 126 BPM | ||
| Lo vegio per stasone | Antonio da Cividale, Ferrara Ensemble, Crawford Young | F Major | 0 | 7B | 79 BPM | ||
| Suite I: Gaillarde | Claude Gervaise, Christian Mendoze | B♭ Major | 2 | 6B | 116 BPM | ||
| Contrappunto Primo B.M. | Vincenzo Galilei, Massimo Lonardi | F Major | 0 | 7B | 137 BPM |